Most five-year-olds have developed a Star Wars script. Life consists of a struggle between Good and Bad forces, with the Good generally triumphant. Many movies and television programs, and a few events in real life, can adequately be described in terms of such a script. Most historical events or works of literature, however, prove far more complex; to understand the causes of World War I or the U.S. Civil War, or to grasp the thrust of a novel by Hawthorne or Austen, one must weigh and integrate multiple factors and nuances. Students learn in class to give more complex explanations for such historical or literary events. Yet, when they are confronted with new and unfamiliar materials--say, a story from another culture, or a war in an unfamiliar part of the world-- even capable students lapse to an elemental way of thinking. The Star Wars "good guy-bad guy" script is often invoked in such situations, even when it is manifestly inappropriate.What I've tried to teach our kids (currently 7 and 9):
War is, by its very definition, a story. War imposes an orderly narrative on what without its definition of purpose and structure would be simply violence.This seems to imply that because wars are stories, they are the only story, and the only possible organizing principle for teaching history.
History teachers love war. Our classes are filled with it. The Revolutionary War, Civil War, World War II, Vietnam War are musts. Others we shove into the second tier: 1812, Mexican, Spanish-American, World War I, Korea.Well, yeah! Because the first three actually resovled something. The second tier did not. (I am not going to touch Viet Nam here, that's a little more complicated case.)
« Older A modern day pow wow is a Native American social g... | As the empire of Murdoch begin... Newer »
This thread has been archived and is closed to new comments
posted by Blazecock Pileon at 7:26 PM on August 1, 2011