This is the earliest of the so-called 'imaginary' portraits of Jane Austen, thus listed by Deirdre Le Faye in her article 'Imaginary Portraits of Jane Austen' in Jane Austen Society Report, 2007, pp. 42-52 (a copy of which is included with the lot).This is one of two doubtful portraits of Jane Austen to surface at auction this year. The other one, painted by the Revd James Stanier Clarke, came up at Christie's in June, but failed to find a buyer.
Le Faye suggests that the portrait 'could be as early as 1818', one year after Austen's death. Le Faye comments: 'This might well be a creation by the Revd William Jones (1777-1821), curate and vicar of Broxbourne and Hoddesdon - or if not him, someone with very similar interests. On 17th April 1818 Mr Jones confided to his diary: "Whenever I am much 'taken with' an author, I generally draw his or her likeness in my own fancy..." The artist, whoever he/she may have been, seems to have read Henry's "Biographical Notice [of the Author", by Jane Austen's brother Henry in the four volumes of Northanger Abbey and Persuasion in 1817] and invented the portrait accordingly, depicting a thin, large-nosed, well-dressed middle-aged lady set against a background of a swagged curtain, classical columns, and cathedral tower. She is sitting at a small round table, quill and notebook in hand and with eyes upraised apparently seeking literary inspiration from the heavens. The elements of the portrait are symbolic - her closely-fitting long-sleeved dress suggests sober respectability; and her various rings and necklaces demonstrate likewise that she was well off, not a poor hack writer starving in a garret. The sleeping cat on the table beside her implies spinsterhood - a pet instead of a child - and the cathedral tower in the background, vaguely reminiscent of Canterbury, harks back to Henry's statement in his last paragraph that "She was thoroughly religious and devout."'
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/fails
posted by goethean at 1:27 PM on December 5, 2011