Still, I'm not much of a fan of horror (I mean, the funny thing about horror is that the people who are into it are into all these films that seem to me to be pretty schlocky while, in contrast, I do have an interest in a very few horror films, almost always foreign, that are not so formulaic and slashery—though some can be very violent in a more upsetting, less-voyeuristic way)cool, thanks for the info
It wasn't a question of doing everything differently, although they changed the ending; it was mostly a matter of doing everything wrong. They said the lines but they said them all wrong. And they cast it wrong. And they designed it wrong. And they scored it wrong. They did everything wrong they could possibly do. That's actually a fascinating lesson in filmmaking. Because everything they did reflects back to the script or looks like something from it. And people assume that if I hated it then they'd changed the script...but it wasn't so much they changed it, they executed it in such a ghastly fashion they rendered it unwatchable.In some DVD commentary somewhere, I recall Whedon discussing how Jeunet changed something on the day of the filming making it somehow nonsensical and and which then required some other script rewrites to make it work. Whedon asked Jeunet what he had in mind to solve the inconsistency, and Jeunet replied that Whedon should just figure something out, he's the screenwriter and that's his job. Whedon then went into the bathroom and punched something.
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Looks good though.
posted by mannequito at 12:44 PM on December 25, 2011