I hear all this talk about getting away from files and folders as silly antiquated ideas, but they're ideas we developed because they're fantastic ways to organize large amounts of stuff. Incredibly intuitive and of scalable complexity.I do think hierarchical file-systems are out of date, and we should be using databases where files have properties you can query - one of which would be "legacy path" for old software.
pts: "That said, I defy anyone who's ever had their mother ask them "but where did it go?" to tell me with a straight face that the hierarchical file system is the best way to organize data on a computer for most people.""It's in your home directory, mom. The one that pops up whenever you launch Dolphin. Yep."
Richer, more complex structures amenable to detailed queries are great, but as a baseline for storage, they have an unfortunate tendency to create lock-in and interface complexity.There are plenty of open source hierarchical filesystems. There are plenty of open source relational and non-relational databases that could be used. Obviously, you would want an open source solution.
That said, I defy anyone who's ever had their mother ask them "but where did it go?" to tell me with a straight face that the hierarchical file system is the best way to organize data on a computer for most people. The reality of life with a modern computer system is that "where did it go?" is an incredibly complicated question to answer, way more complicated than it should be, and ditching direct interaction with the file system is certainly a better way to approach the problemYes, but in this example the only answer would be "I don't know and I have no way of finding out" is not really a better answer, unless you just want an excuse to avoid helping them.
She understands what a folder is in real life and has a keen idea on how a filing cabinet stays organized. She's been doing it since the 1950s. She knows how to make a "taxes" folder under "Documents" because that's exactly what she'd do with paper documents. The fact that there's search functionality for her home directory is just icing on the cake.With a database thing, she'd be able to put the same file in 'taxes', 'taxes 2011' and 'investments', but that's very different then just hiding the filesystem from the user.
On the face of it, focusing on consumption seems like a no-brainer best way forward, but no doubt there it's far more nuanced and interconnected than that (such as consumers liking to emulate the equipment choices of artists they respect, etc.) And no doubt Apple has people who have studied these things in far more depth than my idle observations. But yeah, I concur that it looks like Apple switched focus quite some time ago, and with completely understandable reason.Why not spin off Final Cut and hand it off to people who will have the attention to focus on the customers who matter, and charge the price that real professionals can afford? I mean avid costs a fortune, right?
This makes sense, although I'd think setting a little aside to retain the good-will of an industry that helped make you might make good business sense, too. It might be a branding/marketing issue to paint yourself as loyal to a smaller industry. But then again, maybe they calculated whether that would pay off in the long run and decided against it.I kind of doubt it. It sounds like the people who are really getting screwed are the hard-core professional video editing industry, which can't be that big. I think Apple can lose them without taking too big of a PR hit. Apple has $80 billion cash. It would take decades of mismanagement for them to get to the point where they would be dependent on a small market segment again, and by the people who loyally supported them will all be retired anyway. Coding stuff like FCP can't be cheap.
This is where their interface similarities to the "i" product line makes sense. Person starts out using iMovie or whatever, as they get older and more professional, they want to move up, and it makes sense when they see the "pro" app isn't a total different interface or way of working.Yeah but any real professional is just going to use whatever their employer buys, I would imagine. If they're totally independent then maybe that's true. They might also want to use the industry standard or whatever.
It should also be remembered that Apple doesn't like to reveal what it's up to until it's time to almost release the product. Aperture is a great example, people wonder what's going on, when a new version is being released, while adobe tosses out public betas, and then bam! Here is the next version, download now, and updates to fix what people find wrong pretty quickly.That might be a great way to build hype for consumer products, but for people who need these tools for their jobs, it's not that helpful. You don't want to spend tens of thousands on equipment to find out that the new version won't support it
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FCPX does have problems, mostly with stability and the strange/shoddy implementation of save/autosave, but the new paradigm of the magnetic timeline and the orientation towards digital media solves a vast number of problems.
I don't doubt that there's a migration away from FCPX but if it's because the new interface model is unfamiliar, that's a huge shame because the concept behind it is excellent.
I'm also concerned about Apple's support (or lack thereof) for Mac Pros and even more concerned by the move away from the user explicitly interacting with the filesystem. The paradigm for new Apple apps seems to be iTunes/iPhoto, where the user is not supposed to worry their pretty little head about where the media is actually stored, or to want to use multiple apps to engage with the same file. Even in FCPX/Motion this is a problem -- you can no longer do a simple roundtrip with the SEND TO MOTION menu item. Instead, it's stupidly complicated to export a section of movie to Motion, process it, and return it to FCPX.
I strongly suspect that Apple no longer give a fuck about the Pro user, so I can also understand why jumping ship sooner rather than later is a smart tactical move. I already bailed from Logic to Presonus Studio One for just this reason: I'm looking forward to seeing what's in Logic X if it ever arrives but it's pretty obvious that Apple no longer have a big crew working on it, or rather that the crew who were working on it have been transferred over to port Garageband to iPhone etc.
So having said ALL that, I still love the new interface on FCPX. Most of the total deal breakers were removed with the .0.1 and .0.2 updates (except multicam) but like I say, migrating away probably makes tactical sense. I just hope the new paradigm doesn't die.
My biggest complaint about FXPX? You can't edit in non-standard frame sizes. For example, if you want to edit in 2.35:1 you have to letterbox 1080p or 720p. Which is a massive pain if you are not bringing in anamorphic footage but creating something from stills and generated FX.
posted by unSane at 9:06 PM on January 15 [11 favorites]