In Dallas for the premiere of 9 to 5, I had an uncanny experience and on the plane home to Chicago I confessed it to Siskel: I had been granted a private half hour with Dolly Parton, and as we spoke I was filled with a strange ethereal grace. This was not spiritual, nor was it sexual. It was healing and comforting. Gene listened, and said, "Roger, I felt the exact same thing during my interview with her." We looked at each other. What did this mean? Neither one of us ever felt that feeling again. From time to time we would refer to it in wonder.
"Although the idea of slowing down Dolly Parton was my idea, two separate Dolly Parton fans told me on two separate occasions that I should listen to Dolly Parton 45s at 33 RPM, because she sounded really great at that speed. And it's true."
"Pretender (based on 'The Great Pretender' written by Buck Ram) features the opportunity for a dramatic gender change, suggesting a hypothesis concerning the singer, Ms.Parton, perhaps worthy of headlines in the National Enquirer. The first inklings of this story came from fans of Ms.Parton's earlier hit single 'Jolene'. As many consumers have inadvertently discovered, especially since the reemergence of 12' 45rpm records of which this present disc is a peculiar subset, it is not uncommon to find oneself playing 45rpm sides at the LP standard speed of 331/3. In this transposed tempo 'Jolene' reveals the singer to be a handsome tenor. Additional layers of homosexual longing, convoluted ménages à trois and double identities are revealed in a vortex of androgyny as one switches, verse to verse, between the two standard playback speeds."
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