Comments on: Oh that's tearing my heart out, I love that, just keep that going...

Oh that's tearing my heart out, I love that, just keep that going...

empath — Tue, 22 May 2012 14:39:31 -0800

BBC's Essential Mix has been running two hour DJ sets for nearly 20 years, usually continuous mixes of current club tracks. Nicolas Jaar took things in a decidedly different direction this week, with an eclectic mix of sound track music, jazz, hip-hop, IDM and pop music with just a sprinkling of deep house here and there. Truly essential listening.

By: Vhanudux

Vhanudux — Tue, 22 May 2012 14:43:12 -0800

I happened to catch that this weekend. Great mix.

By: The World Famous

The World Famous — Tue, 22 May 2012 14:52:49 -0800

It's an amazing edition of an amazing series. Thanks for posting this, empath.

By: beaucoupkevin

beaucoupkevin — Tue, 22 May 2012 14:57:39 -0800

I only really love The Essential Mix when it goes wonky. Moments like this, the Oakenfold Goa mix, Coldcut's mixes. The rest of the time, it's fine, but it's the odder moments that make it worth checking out.

By: Inspector.Gadget

Inspector.Gadget — Tue, 22 May 2012 14:57:46 -0800

Anyone see a tracklist? I'd be interested to read it.

By: Inspector.Gadget

Inspector.Gadget — Tue, 22 May 2012 14:58:42 -0800

Oh. Derp. It's on the SoundCloud page.

By: filthy light thief

filthy light thief — Tue, 22 May 2012 15:01:35 -0800

The tracklist is also on MixesDB, alongside a couple decades of past mixes (most linking to Soundcloud streams) (MixesDB previously)

By: Doleful Creature

Doleful Creature — Tue, 22 May 2012 15:07:34 -0800

That Badalamenti bit at the beginning? Absolutely stunning. I could live in that moment forever. And then later on he drops some Johnny Greenwood, then Garrett, Mingus, Gaye?! I'd like to share a frosty beverage with this feller.

By: empath

empath — Tue, 22 May 2012 15:20:34 -0800

That Badalamenti bit at the beginning? Absolutely stunning Especially appropriate for a dance show, too, because that song was notably sampled in Moby's Go, a classic rave track that was often featured in the early essential mixes.

By: filthy light thief

filthy light thief — Tue, 22 May 2012 15:29:08 -0800

I've been picking through the Essential Mixes of the past, looking for other oddities like this. So far, I've come across Portishead's 1995 mix (featuring James Brown, Barry White, The Beatles, Lalo Schifrin, and a bunch of classic hip-hop), and Air had a two-parter in 1998 (part 1, and part 2 a week later), and DJ Harvey (drummer turned producer/DJ) had an eclectic mix in '98, too. I stopped looking there, and I'll let others dig around for gems.

By: Fidel Cashflow

Fidel Cashflow — Tue, 22 May 2012 15:35:59 -0800

That Badalamenti bit at the beginning? Absolutely stunning Fantastic introduction!

By: mjg123

mjg123 — Tue, 22 May 2012 15:37:46 -0800

This is the shit

By: nickrussell

nickrussell — Tue, 22 May 2012 15:42:36 -0800

The intro alone is brilliant. The rest, it reminds me of stopping somewhere after the Four Corners in July 1998. It was midnight, and I was waiting for a bus to finish it's time at the rest stop. It was 104F at midnight; the kind of heat that makes everything a bit surreal and detached. I sat drinking ice cold Bud Light, sweating like the bottle. All manner of people came through the Flying J. The Greyhound was filled with everyone from suburban college students to individuals with severe drug addictions to three generations on a holiday together. At the Flying J, there were Wal-Mart trucks, police cars, BMW SUVs, old station-wagons. Young people, old people. Posh people; people living at the end of a thin thread. There were the clerks and Flying J staff. It was like sitting on a freeway bridge over the 405 at night, watching thousands of cars flow below like shimmering multihued river. At the Flying J, cars arrived with all manner of music, from booming bass to rock, to Christian Radio to talk radio to audio books, to a sing-along for the kids. And we sat and sweated, the Bud Light(s) and myself, waiting for our silver caterpillar to make it's way again North in the intemperate late night heat. Closing my eyes, the sounds were incredible. A tapestry without form or commonality yet with a subtle syncopation; as if a higher form of logic unified the disparity according to a veiled sense of logic, hidden yet completely precise. Go Jaar.

By: onyermarx

onyermarx — Tue, 22 May 2012 16:28:45 -0800

I managed to get most of The Psychonauts' Essential Mix on tape when they were on in 1996. It was such an amazing sound that, despite kind of already being asleep, I threw myself across the room, tore a cassette from its packet and jammed it into the hifi. Took me about 10 years before I found an MP3 of the whole thing. They fit 78 songs into two hours, sample Star Wars, speed up Wonderwall... There's Beastie Boys, Lamb, DJ Shadow, Wu-tang Clan, Massive Attack, Stereo MCs...

By: empath

empath — Tue, 22 May 2012 16:34:47 -0800

I think what impressed me the most about it is how much space there is. It's a lovely counterpoint to the more more more maximalist mashup style that is so popular now. More than once, there is complete silence. Something that almost never happens on the radio or the dance floor.

By: dng

dng — Tue, 22 May 2012 16:39:18 -0800

And it's got some of the soundtrack to In The Mood For Love in it, which is nice, as it is the best music, film, everything

By: the bricabrac man

the bricabrac man — Tue, 22 May 2012 17:32:59 -0800

This...is like the mixes I make for my friends. Except so much better.

By: immlass

immlass — Tue, 22 May 2012 17:58:27 -0800

A friend of mine has been pointing me at Jaar, so I'm definitely going to have to check this out.

By: Ritchie

Ritchie — Tue, 22 May 2012 18:01:01 -0800

I think I've been totally wrecked for radio in that as soon as someone starts talking over the music I'm like 'oh shut UP!' and instantly turn it off. I just can't get past it, which is a pity, because it means I've never been able to get into these BBC shows.

By: empath

empath — Tue, 22 May 2012 18:23:08 -0800

The talking stops two minutes in, and doesn't come back until the very end.

By: stroke_count

stroke_count — Tue, 22 May 2012 18:34:18 -0800

I think what impressed me the most about it is how much space there is. Surely you dig James Blake then... Structured silence is his signature instrument. Not sure about his mix, though.

By: Ritchie

Ritchie — Tue, 22 May 2012 18:35:56 -0800

Then I'll turn the sound off for the first couple of minutes. This is a strategy that also works for the movie Dark City.

By: carter

carter — Tue, 22 May 2012 19:00:49 -0800

Nice, thanks!

By: Bovine Love

Bovine Love — Tue, 22 May 2012 19:15:53 -0800

This really is special. Many thanks.

By: mattoxic

mattoxic — Tue, 22 May 2012 19:56:25 -0800

What, prey tell does "deep house" mean. When I'm listening to this how do I know what "deep house" is?

By: a womble is an active kind of sloth

a womble is an active kind of sloth — Tue, 22 May 2012 20:04:39 -0800

This is really great stuff! And it's so nice to be able download the mixes. (a tiny gripw; I wish there was a little less of the bbc voiceover nonsense.... it just ruins some of the moments....)

By: empath

empath — Tue, 22 May 2012 20:15:32 -0800

Deep is just an adjective. It's minimal, more sophisticated and slower house music as opposed to the stuff like Swedish House Mafia or Deadmau5 or Kaskade.

By: empath

empath — Tue, 22 May 2012 20:17:01 -0800

The deep house category on beatport

By: frimble

frimble — Tue, 22 May 2012 20:36:48 -0800

Ishkur's Guide also covers deep house, and offers comparisons to related styles.

By: dvdgee

dvdgee — Tue, 22 May 2012 21:06:36 -0800

In a genre known for it's ridiculous, confusing sub-genre terms, deep house is the one that ultimately takes the cake. Depending on who you're talking to, it either means minimal, stripped-down, "tasteful" house bordering on minimal techno, or it means full-on flamboyant new york drag queen house sermons backed with the classic "untz-untz" four-four, ala Tribal Records circa early to mid-nineties.

By: en forme de poire

en forme de poire — Tue, 22 May 2012 21:10:04 -0800

To give you an idea of how happy I am that you linked this, I literally gasped when I saw "Nicolas Jaar" and "Essential Mix" in the same sentence. I was lucky enough to see him do a sort of semi-improvised live PA type of thing recently (some excerpts have thankfully made it to the YouTubes) and it was fascinating and hypnotic. Really looking forward to it, thanks empath.

By: en forme de poire

en forme de poire — Tue, 22 May 2012 21:49:44 -0800

I have to pause it to go to bed, but it's indeed brilliant. I put it on in the background while web surfing, and around twenty-some minutes in, during the five minutes or so of early baroque music (apparently Marin Marais) I realized I couldn't remember how we got from Twin Peaks to basso continuo -- yet I'd been carried along smoothly the entire way. That's masterful.

By: saul wright

saul wright — Tue, 22 May 2012 22:00:11 -0800

This is amazing. Of course, any mix that goes from NSYNC to Unknown to Mingus to Bill Callahan to The Field would be impressive but goddamn, this is great.

By: gen

gen — Tue, 22 May 2012 23:59:54 -0800

My favorite deep house track is Pépé Bradock & The Grand Brûlé's Choir's "Deep Burnt." Borrowing its main theme from the introduction to Freddie Hubbard's 1979 cut "Little Sunflower," it's a master class in sampling: Across 11 minutes, Pépé Bradock twists and EQs Hubbard's strings into billowing shapes far more voluminous than those four little chords would imply. Paired with a loose tambourine groove and flickering Rhodes counterpoints, it represents the emotive zenith of the whole filter house canon.

By: BigBrooklyn

BigBrooklyn — Wed, 23 May 2012 00:29:06 -0800

"Deep Burnt" is also great because it sounds amazing mixing into almost any other (preferably) deep house record. Also highly recommend EM mixes by Lindstrom & Prins Thomas, Greg Wilson and Trentmøller.

By: samworm

samworm — Wed, 23 May 2012 00:41:18 -0800

If you liked this then make sure you also hear Coldcut: 70 Minutes Of Madness - Journeys By DJ, which remains the finest "genre challenging" mix I've ever heard.

By: Alex404

Alex404 — Wed, 23 May 2012 01:58:12 -0800

Did y'all just give me uncountable hours of listening pleasure to math and program to? Yes, yes you did. I love you metafiter.

By: ardgedee

ardgedee — Wed, 23 May 2012 04:46:24 -0800

I'm on my way to work so I only have time to link and run... DJ Shadow's Essential Mix in March 2003 is just as eclectic as you'd expect (everything from marching bands to John Peel outtakes) and it's fantastic. Massive Attack's Essential Mix in December 1994 is old-school hip-hop, trip-hop, the occasional Wu-Tang, and flows like melted butter.

By: Challahtronix

Challahtronix — Wed, 23 May 2012 05:30:00 -0800

I like it when artists treat Essential Mix like the Breezeblock.

By: ardgedee

ardgedee — Wed, 23 May 2012 05:33:04 -0800

Oh well. It's all good.

By: Theta States

Theta States — Wed, 23 May 2012 06:19:42 -0800

Any playlist with Bill Callahan gets a gold star from me.

By: empath

empath — Wed, 23 May 2012 06:51:49 -0800

Oakenfold's 1997 "A Rare Treat" essential mix is also similar to this, taking detours into Led Zeppelin, Bob Marley and Morricone tracks in between the trance records.

By: the sobsister

the sobsister — Wed, 23 May 2012 08:14:34 -0800

What a great set of mixes! And a long weekend that begins, let me check, today at close of business. Thank you, MeFites, for the upcoming benefit of your impeccable taste.

By: slogger

slogger — Wed, 23 May 2012 10:03:33 -0800

Anyone know what the vocal track is that starts around 1:38:15? Pure magic. I must have more of it!

By: empath

empath — Wed, 23 May 2012 10:09:51 -0800

Here you go Discogs page

By: slogger

slogger — Wed, 23 May 2012 10:15:32 -0800

Thank you empath!

By: Tom-B

Tom-B — Wed, 23 May 2012 10:51:10 -0800

Wow sublime! Angelo Badalamenti & David Lynch, that's sex! also some grade-A cheese around 30:00 eh?

By: cirrostratus

cirrostratus — Wed, 23 May 2012 11:55:18 -0800

I was digging on the first half of this over the weekend and you just reminded me I need to finish it. Also, those of you that like Nicolas Jaar and balearic tinged stuff will probably like Darkside a ton.

By: Nelson

Nelson — Wed, 23 May 2012 12:13:15 -0800

Just finished listening to this and wow is it fantastic. He's done something very interesting here, getting out of the cliches of house music and sample based hip hop and all the other pastiche music styles that are the usual fodder for mixes. It works more like Musique concrète for me, but without being so dry and academic. I've never heard of Nicolas Jaar before. He has one commercial album, Space is Only Noise.

By: Pruitt-Igoe

Pruitt-Igoe — Wed, 23 May 2012 12:35:09 -0800

Is "jar" really the right way to pronounce his name, or is it pronounced with a y (as in Dutch for year)? Space is Only Noise is good for a few listens. I haven't really come back to it much, but I enjoyed it when I first got it.

By: en forme de poire

en forme de poire — Wed, 23 May 2012 12:39:51 -0800

Nelson, Space is Only Noise is great. He also has a newer two-track EP which you can listen to here (also via his label but there is an unlinkable Flash interface, so).

By: clockwork

clockwork — Wed, 23 May 2012 15:00:57 -0800

Nice. Thanks. He also has an album called Nico's Bluewave Edits, which has a version of Missy Elliot's Work It that is strangely compelling.

By: AzzaMcKazza

AzzaMcKazza — Wed, 23 May 2012 16:54:08 -0800

onyermarx - I owe you one for bringing that Psychonauts mix to our attention. Its fantastic. Hard to wrap my head around that it was made when I was 15.

By: Nelson

Nelson — Thu, 24 May 2012 12:01:02 -0800

Back in February 2011 Nicolas Jaar did a mixtape on the XLR8R podcast. It's good. The material is mostly his own compositions (themselves featuring samples), but there's a bit of eclecticism thrown in. One of the songs in the BBC Essential Mix is Bill Callahan's America!, which has an awesome video. I loved Jaar's sample and don't much like the full song, he picked out the really great part.

By: kdern

kdern — Fri, 25 May 2012 10:23:51 -0800

If anyone else is interested... I've been working on figuring out the tracklist timing for the Jaar mix. Here's what I have so far. (selflink)

By: Nelson

Nelson — Fri, 25 May 2012 11:06:18 -0800

Cool, kdern! I've been trying to figure out what's going on around the introduction of Aphex Twin / Ziggomatic 17 at 19:08. There's a lot of other stuff under there, some baroque string piece, some classical guitar... the next identified sample is Keith Jarrett but that's not until the piano bit at 26:48. I love the 7 minutes in the middle and would love to know more about how it's constructed. The SoundCloud comments are actually useful. The comment at 21:44 identifies "Marin Marais- Sonnerie De Ste. Geneviève Du Mont De Paris." which sounds like this, the baroque string thing I was referring to. (Fun electronica trivia; that piece ends up being arranged for a Fairlight in the amazing soundtrack for the movie Liquid Sky.)

By: filthy light thief

filthy light thief — Fri, 25 May 2012 11:12:23 -0800

By the way, the Angelo Badalamenti intro is from this video, which was previously posted to MetaFilter.

By: empath

empath — Fri, 25 May 2012 11:32:09 -0800

Moby's Go for comparison to the twin peaks theme

By: filthy light thief

filthy light thief — Fri, 25 May 2012 12:31:29 -0800

Thanks, kdern! I'm listening now, and was wondering where I was in the tracklist. Answer: Keith Jarrett – Tokyo, November 14 (Encore). So good, and so very unlike the vast majority of Essential Mixes!

By: kdern

kdern — Fri, 25 May 2012 13:46:59 -0800

Glad the timing is helpful. I find the tracklists kind of useless without them. I've discovered another Jaar mix that I like as much as the essential mix. It's also slow, eclectic and very chill. I'm new to mixes like these - I've listened to Oakenfold sets, Girl Talk and the Hood Internet, but this is something else entirely - almost like an ambient soundtrack, but brilliant and interesting. Check out minutes 18-19 of the mix I just linked to above... just amazing. Any other low-key mixes like these? I've listened to the Portishead and Oakenfold BBC essential mixes and they're not the same. Jamie XX is kinda close...

By: en forme de poire

en forme de poire — Fri, 25 May 2012 14:28:59 -0800

kdem, you could try poking around here.