Πολλών δ' ανθρώπων είδεν άστεα και νόον έγνω.The album concept is a kind of apotheosis of city life, unmoored from the particulars of time and place, a panoramic view of a glamorous, ahistorical yesterday. The city wakes up at
dawn. Its denizens shake off the last traces of sleep over the
morning paper, embark on commutes via a tangled
nerve center of roadways, explore obscure
side streets, and take afternoon
phone calls. As night nears, a pall of
twilight covers the city, and the glow of
red lights illuminates evening revelers. The day comes to a close, merely one in an endless
procession that is both stately and funereal, ritualistic and melancholy. A new day dawns in the album's last moments, an ambivalent reminder of tomorrow, and tomorrow, and tomorrow.
The album is shamelessly sentimental and each track is melodically simple and composed in bold strokes. Quite unusually, though, several tracks are constructed around found sounds: footsteps, distant police sirens, coins clinking on a kiosk counter, the chime of the city clock, a moped engine. A number of evocative vocal samples feature prominently: the ohayashi chanting of a
Japanese street festival in "Red Lights," one side of a phone conversation in "Good to See You," as well as the voices of director
Roman Polanski and his third spouse, the model, actress, and singer
Emmanuelle Seigner.
Notably,
The City was also the first full Vangelis album to rely completely on the custom-designed Direct music device (
tech discussion here,
demo of a similar sequencer). The then-revolutionary Direct allowed Vangelis to greatly reduce the number of recording sessions and reportedly produce the album in a Rome hotel room where he was staying during the shooting of Polanski's
Bitter Moon. During the same period Vangelis also staged one of his most fondly remembered
live concerts, at the
Terme di Caracalla.
1. A Mefite with a William Gibson derived name who therefore certainly has the requisite "Blade Runner is Jesus" condition. (That'd be me)
2. A Mefite named after a creature from another Ridley Scott movie who, if one had to guess, also has some sort of affinity for Blade Runner.
....Yeah, that sounds about right for a post about a really excellent, moody Vangelis record.
posted by sendai sleep master at 5:29 PM on September 27, 2012