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	<title>Comments on: Copyright Criminals</title>
	<link>http://www.metafilter.com/120469/Copyright-Criminals/</link>
	<description>Comments on MetaFilter post Copyright Criminals</description>
	<pubDate>Tue, 02 Oct 2012 00:51:31 -0800</pubDate>
	<lastBuildDate>Tue, 02 Oct 2012 00:51:31 -0800</lastBuildDate>
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		<title>Copyright Criminals</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals</link>	
		<description>&lt;a href="http://www.youtube.com/watch?feature=player_embedded&amp;v=IsS7F5H2VpM"&gt;Copyright Criminals&lt;/a&gt; , the 2009 PBS Documentary, discusses the complex artistic and legal history of sampling in music, featuring interviews with both the samplers (Chuck D, De La Soul, Shock G, El-P, DJ Qbert) and the sampled (George Clinton and Clyde Stubblefield).  &lt;a href=&quot;http://www.egotripland.com/copyright-criminals-sampling-documentary/&quot;&gt;via egotrip&lt;/a&gt;</description>
		<guid isPermaLink="false">post:www.metafilter.com,2012:site.120469</guid>
		<pubDate>Mon, 01 Oct 2012 23:56:58 -0800</pubDate>
		<dc:creator>chrchr</dc:creator>		<category>rap</category>		<category>hiphop</category>		<category>sampling</category>		<category>documentary</category>		<category>copyright</category>
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		<title>By: mannequito</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4595280</link>	
		<description>Selection 2012: Q-Bert vs. Steve Albini vs. Miho Hatori - who would you rather have a beer with?

(&amp;amp;thanks for the post - only a third of the way through but finding all sides of the argument compelling!)</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4595280</guid>
		<pubDate>Tue, 02 Oct 2012 00:51:31 -0800</pubDate>
		<dc:creator>mannequito</dc:creator>
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		<title>By: quazichimp</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4595299</link>	
		<description>You cant stop people from being creative with what they have in front of them.
and I would not want to live in a society that did that.
...to try and copyright esthetics is to destroy esthetics.</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4595299</guid>
		<pubDate>Tue, 02 Oct 2012 01:37:14 -0800</pubDate>
		<dc:creator>quazichimp</dc:creator>
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		<title>By: mannequito</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4595301</link>	
		<description> think I&apos;d choose  Hank Shocklee after all.</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4595301</guid>
		<pubDate>Tue, 02 Oct 2012 01:39:35 -0800</pubDate>
		<dc:creator>mannequito</dc:creator>
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		<title>By: iotic</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4595327</link>	
		<description>Apparently the drummer behind the &quot;amen break&quot; - from The Winstons&apos; Amen Brother - died in poverty having never received any royalties on it. Which seems a bit harsh given that that sample pretty much formed the basis for a whole genre (drum &amp;amp; bass)</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4595327</guid>
		<pubDate>Tue, 02 Oct 2012 03:09:14 -0800</pubDate>
		<dc:creator>iotic</dc:creator>
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		<title>By: Dysk</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4595348</link>	
		<description>One thing that&apos;s striking me about this documentary as I&apos;m watching it - it&apos;s a little confused and unfocused. Some people are clearly talking about sampling as being rapping over someone else&apos;s record (e.g. MC Hammer) while others are looking at something that is clearly far more complex and much further removed from the source material. No-one really seems to acknowledge that &apos;sample-based music&apos; isn&apos;t a monolithic entity - personally I think it&apos;s complex and that the same assumptions don&apos;t necessarily hold for the whole range. It makes for a weird discussion when people aren&apos;t really talking about the same thing...</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4595348</guid>
		<pubDate>Tue, 02 Oct 2012 04:27:54 -0800</pubDate>
		<dc:creator>Dysk</dc:creator>
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		<title>By: phl</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4595358</link>	
		<description>&lt;i&gt;iotic&lt;/i&gt;, the wikipedia page for Gregory Coleman cites this &lt;a href=&quot;http://www.economist.com/node/21541707&quot;&gt;Economist article&lt;/a&gt; for that fact - it&apos;s a good potted history of the Amen Break, interesting read.</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4595358</guid>
		<pubDate>Tue, 02 Oct 2012 04:45:45 -0800</pubDate>
		<dc:creator>phl</dc:creator>
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		<title>By: iotic</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4595592</link>	
		<description>The guy who&apos;s all like &quot;I worked with Nirvana and Robert Plant&quot; comes across as a dick. How can you work in the music business and not be aware of any of the great and truly creative music that&apos;s been made using sampling and/or DJing in the last few decades? To write it all off as &quot;lazy&quot; ... well, he&apos;s a twazzock.</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4595592</guid>
		<pubDate>Tue, 02 Oct 2012 08:16:24 -0800</pubDate>
		<dc:creator>iotic</dc:creator>
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		<title>By: klangklangston</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4595849</link>	
		<description>&quot;&lt;i&gt;Apparently the drummer behind the &quot;amen break&quot; - from The Winstons&apos; Amen Brother - died in poverty having never received any royalties on it. Which seems a bit harsh given that that sample pretty much formed the basis for a whole genre (drum &amp;amp; bass)&lt;/i&gt;&quot;

In my Utopia, there&apos;s a progressive compulsory license statue that allows broke musicians to sample while compensating the original artists on a percentage basis that declines as the sample ages. 

It&apos;s a really hard question to answer equitably, and I hate that the &quot;Hey kids, stop all that downloadin&apos;&quot; always overwhelms that discussion.</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4595849</guid>
		<pubDate>Tue, 02 Oct 2012 09:53:51 -0800</pubDate>
		<dc:creator>klangklangston</dc:creator>
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		<title>By: chrchr</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4596163</link>	
		<description>&lt;i&gt;
The guy who&apos;s all like &quot;I worked with Nirvana and Robert Plant&quot; comes across as a dick
&lt;/i&gt;

That is notorious curmudgeon &lt;a href=&quot;http://www.metafilter.com/tags/albini&quot;&gt;Steve Albini&lt;/a&gt;, and in this case, he doesn&apos;t know what the fuck he&apos;s talking about. People don&apos;t make sample-based music because it&apos;s easy. It&apos;s not exclusively made by people who can&apos;t play instruments. &lt;a href=&quot;http://www.youtube.com/watch?v=ZLVtAZQixOA&quot;&gt;J. Dilla&lt;/a&gt;, by all accounts, was a superb drummer. RZA of the Wu-Tang Clan plays multiple instruments. Even the Roots use samples, and when they don&apos;t, ?uestlove is playing live drums, but is attempting to copy drum breaks from the canon. Basically their shtick is that they play samples with live instruments.

I play guitar and I&apos;m learning keys, but when I started making music more seriously a couple years ago, I wanted to make sample-based music, not because it&apos;s the only way I can make music, but because it&apos;s more interesting to me and because it&apos;s part of a musical tradition that I want to be a part of.

And the lengths that people go to make sample-based music are telling. Under the current legal regime, something like &quot;My Beautiful Dark Twisted Fantasy&quot; probably cost a fortune in sample clearances. It woud be much cheaper for Kanye West to hire a studio band. He uses samples because it&apos;s part of the aesthetic he wants to achieve.</description>
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		<pubDate>Tue, 02 Oct 2012 11:23:04 -0800</pubDate>
		<dc:creator>chrchr</dc:creator>
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		<title>By: iotic</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4596516</link>	
		<description>OMG that was Steve Albini. Well I&apos;m not gonna change my mind, he totally came across as a dick.</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4596516</guid>
		<pubDate>Tue, 02 Oct 2012 12:49:24 -0800</pubDate>
		<dc:creator>iotic</dc:creator>
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		<title>By: mannequito</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4597766</link>	
		<description>What was your impression of him before then? I&apos;ve generally assumed that if he were to hand you his business card it&apos;d read

&lt;strong&gt;STEVE ALBINI
&lt;/strong&gt;&lt;em&gt;Producer, Dick&lt;/em&gt;</description>
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		<pubDate>Tue, 02 Oct 2012 23:30:08 -0800</pubDate>
		<dc:creator>mannequito</dc:creator>
	</item>	<item>
		<title>By: chrchr</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4597792</link>	
		<description>&lt;b&gt;STEVE ALBINI&lt;/b&gt;
&lt;a href=&quot;http://www.metafilter.com/98659/I-like-bigass-vicious-noise-that-makes-my-head-spin&quot;&gt;&lt;i&gt;&lt;strike&gt;Producer, &lt;/strike&gt;Dick&lt;/i&gt;&lt;/a&gt;</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4597792</guid>
		<pubDate>Wed, 03 Oct 2012 00:10:37 -0800</pubDate>
		<dc:creator>chrchr</dc:creator>
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		<title>By: Quonab</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4599691</link>	
		<description>I really enjoyed this. Thanks for posting it.</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4599691</guid>
		<pubDate>Wed, 03 Oct 2012 17:51:02 -0800</pubDate>
		<dc:creator>Quonab</dc:creator>
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		<title>By: iotic</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4601182</link>	
		<description>Well I didn&apos;t really have an impression, though I knew he &quot;produced&quot; some things I like, and I think I heard about the thing about not wanting to be called a Producer, but a Recorder of bands, or some such, and found it interesting.

The thing about sampling being lazy though ... it seems like he thinks he&apos;s being clever and insightful, when in fact it comes across as &quot;the kind of music I like (indie rock) is better than this other kind of music (hip hop), and that&apos;s really one of the laziest kinds of thinking going.</description>
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		<pubDate>Wed, 03 Oct 2012 23:36:53 -0800</pubDate>
		<dc:creator>iotic</dc:creator>
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		<title>By: Dysk</title>
		<link>http://www.metafilter.com/120469/Copyright-Criminals#4601288</link>	
		<description>Steve Albini is indeed a rockist. I did like his little spiel right at the end (presumably they&apos;d just asked him if he wanted to see sampling banned or pursued legally) at which point he just says &quot;I&apos;m allowed to have an opinion on whether or not I think sampling is cool without having to get the law involved. The law is already involved in too many things.&quot; So he&apos;s a curmudgeon, but in my book he&apos;s all right at the end of the day :)</description>
		<guid isPermaLink="false">comment:www.metafilter.com,2012:site.120469-4601288</guid>
		<pubDate>Thu, 04 Oct 2012 03:51:31 -0800</pubDate>
		<dc:creator>Dysk</dc:creator>
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