Melkor just SOUNDS evil
November 16, 2012 10:21 AM Subscribe
More than most literary phenomena, names in fiction seem very straightforward until you start to think about them. The simple question, ‘why does a name sound right?’ leads to a whole range of questions. Are there rules about how names are given to characters? Do naming practices differ in different periods? Are they specific to particular genres? Do different authors use names in entirely different ways? There are also anxieties to address: is discussion of names in fiction snagged in a feedback loop, in which we think James Bond is such a good name for a spy because that’s what we know it to be?
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