I often tell people that I’m the biggest self-aware misogynist I know.
I was writing a scene last night between a woman general and the man she helped put on the throne. I started writing in some romantic tension, and realized how lazy that was. There are other kinds of tension.
I made a passing reference to sexual slavery, which I had to cut. I nearly had him use a gendered slur against her. I growled at the screen. He wanted to help save her child… no. Her brother? Ok. She was going to betray him. OK. He had some wives who died… ug. No. Close advisors? Friends? Maybe somebody just… left him?
Even writing about societies where there is very little sexual violence, or no sexual violence against women, I find myself writing in the same tired tropes and motivations. “Well, this is a bad guy, and I need something traumatic to happen to this heroine, so I’ll have him rape her.” That was an actual thing I did in the first draft of my first book, which features a violent society where women outnumber men 25-1. Because, of course, it’s What You Do.
...the study looked at 14 Viking burials from the era, definable by the Norse grave goods found with them and isotopes found in their bones that reveal their birthplace. The bones were sorted for telltale osteological signs of which gender they belonged to, rather than assuming that burial with a sword or knife denoted a male burial.
Overall, McLeod reports that six of the 14 burials were of women, seven were men, and one was indeterminable. Warlike grave goods may have misled earlier researchers about the gender of Viking invaders, the study suggests.
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