But the "selling out" thing isn't about whether the work is any good, so much as the question of "artistic integrity." Which assumes a simple model in which the artist has a "vision," that forms perfectly in her head, and she then executes that vision with perfect precision — unless she pauses to think about how best to attract an audience of paying customers, in which case the vision becomes compromised and, I guess, blurry. That business, of having a vision and executing it, describes none of the actual process of creating something from scratch, unless you're some kind of minimalist who writes a six-word story or just paints a big dot on a canvas.
Both books present an upside-down view of the quest to avoid the mainstream and seek out the authentic. The books help explain how it came to be that so many people seem concerned about selling out both as a consumer and a producer. Most interesting though is Potter’s assertion that there really is no such thing as authenticity when you get right down to it. As he puts it, “there could never be an authenticity detector we could wave at something, like the security guards checking you at the airport.” Oh, and he says countercultures actually create the mainstream they rebel against.. Rebel Sell, previously.
« Older 95 minutes of John Coltrane live in 1960-61-65... | It's been 20 years since groun... Newer »
This thread has been archived and is closed to new comments