It goes back to honoring Thomas Harris and imagery we have in the books, in the Hannibal Lecter books. So we knew that we had to have fantastic imagery that you wouldn’t see on another crime-procedural show. Being competitive and wanting to be completely different from what you see on other shows, which is usually, on a crime procedural you see a body in a room splayed out and blood, but you rarely get to see people covered with mushrooms or impaled on severed stag heads or blood eagled and the totem pole. We would sit in the room and say, “What is the image? What is the death tableau? What are we going to see that’s going to be so striking and cinematic and beautiful at the same time, but will actually be a horrible crime scene?” So every crime scene that we have has to have this element of beauty and art to it.Bryan Fuller, showrunner for NBC's Hannibal (previously), discusses each episode of the first season with the AV Club. Part 1. Part 2. Part 3. Part 4.
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