We had to do the whole film as an animation first. We edited that animation, even with sound, just to make sure the timing worked with the sound effects and music. And once we were happy with it, we had to do the lighting in the animation as well. Then all that animation translated to actual camera moves and positions for the lighting and actors.
We did a whole exploration of the screenplay, every single moment; we made judgments about everything. Once we began shooting, we were constrained by the limitations of that programming.
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