The New Canon
October 7, 2013 2:15 PM Subscribe
Media Studies professor Anne Helen Petersen writes about the dominant role of Netflix in her students’ film and television consumption, and its effect on the lasting influence of works that are — or are not — available there:
Through this reliance on Netflix, I’ve seen a new television pantheon begin to take form: there’s what’s streaming on Netflix, and then there’s everything else…
Things that they haven’t watched? The Wire. Deadwood. Veronica Mars, Rome, Six Feet Under, The Sopranos. Even Sex in the City.
It’s not that they don’t want to watch these shows — it’s that with so much out there, including so much so-called “quality” programs, such as Twin Peaks and Freaks & Geeks, to catch up on, why watch something that’s not on Netflix? Why work that hard when there’s something this easy — and arguably just as good or important — right in front of you?
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