Breasts are everywhere in 2013’s new "Gatsby"… They’re pushed up to create cleavage, peeping out of frocks and fringed flapper dresses, and hugged tightly by clothes cut to show off curves. As Daisy Buchanan, Carey Mulligan is clearly wearing some sort of shapewear or bra under even her most modest clothes, to make her breasts seem perfectly perky.
Catherine Martin, the producer, production designer, and costume designer of "The Great Gatsby," says that she simply took the styles of the 1920s and amped up the sexy quotient—and made the dresses fit more like the designers intended.…
"Frankly, I am a bit shocked by Martin’s quotes regarding the 1920s—that she considers the clothes frumpy looking," [co-founder of the Fashion History Museum Jonathan] Walford says. "She was the wrong costumer to get the job if she can’t see the beauty in the real 1920s silhouette."
The trouble with “Gatsby” is, as beautifully as F. Scott Fitzgerald describes the opulent world of 1920s high society in his novel, he gets flappers all wrong. That’s because he portrays this liberated “New Woman” through the eyes of men. ... Narrated by a man, the cautionary tale seems to warn against the wiles of The New Woman—the feminist ideal of an educated and sexually liberated woman that emerged in the 1900s. So instead of intelligent, independent women telling their own stories of rebelling and rejecting their mother’s values, you have male war buddies sharing how vapid, spoiled socialites carelessly wrecked their lives.Sociological Images on the Rise of the Flapper
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