Drained of meaning
September 6, 2016 11:27 AM Subscribe
The premise of Jack Hamilton’s deep new study Just Around Midnight: Rock and Roll and the Racial Imagination seems like something that’s been on rock history’s tongue for a long time without ever quite leaving it. Chuck Berry, a black man with a guitar, had been a rock and roll archetype in 1960, but by the end of the decade Jimi Hendrix would be seen as rock’s odd man out for being... a black man with a guitar. How did that occur? "Tracing the Rock and Roll Race Problem" an interview in Pitchfork.
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