that is a tremendous site, great link. posted by pejamo at 5:44 PM on August 16, 2002
excellent site once you get into it. the "bride" explanation can be found by scrolling the page right (using the arrow buttons). i'm pretty sure i've seen that at the tate - i never had a clue what it was about until now. (and thinking of that, i did a search, which turned up this good photo) posted by andrew cooke at 5:57 PM on August 16, 2002
I love those nutty dadaists. Aquamarine coathangers to all. posted by BartFargo at 6:30 PM on August 16, 2002
How timely. I was just gazing longingly at one of Duchamp's green boxes last weekend, and wishing that I had $25k lying around so I could buy it. Thanks Xian posted by MrBaliHai at 6:53 PM on August 16, 2002
Thank you xian, suddenly TOTB issue #19 now has a whole new layer of meaning.
The Large Glass = The Big·Big·Picture
The Bride's Domain = The Service Stations
The Bride = The Influences
Love Gasoline = Reproductive Propellant
The Bachelors' Realm = The Worlds
The Bachelors = Customers (like Gran'Ma'Pa)
Juggler of Gravity = Heyoka posted by otherchaz at 7:05 PM on August 16, 2002
Incredible links, awesome FPP. The "new blood" in MetaFilter sure is looking good! posted by DBAPaul at 8:17 PM on August 16, 2002
I love those nutty dadaists.
Oddly enough, Duchamp always rejected the "Dada" label. In his definitive biography, Calvin Tompkin argues that this is because Duchamp had a sense of humor, while Dadaists took themselves very seriously. (I'm paraphrasing here.)
Duchamp's presence on the Web is suprisingly small. Back when I was researching him, I was suprised to find that three of the above sites (toutfait.com, artscienceresearchlab.org, and marcelduchamp.net) are all owned by Rhonda Roland Shearer's Art Science Research Lab (ASRL). Shearer, widow of the late Stephen Jay Gould, has gotten quite a bit of flak in the traditional art history community for self-publishing her controversial theories.
Here are some handy links to Duchamp's work in galleries with Web sites:
Oddly enough, Duchamp always rejected the "Dada" label.
I'm not surprised, but he was always thrown in with the rest of them when we came around to the Dadaists in my old art history class. It's one of my favorite art movements, right up there with Pop Art. posted by BartFargo at 10:26 PM on August 16, 2002
posted by pejamo at 5:44 PM on August 16, 2002