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	<title>Comments on: Comments on 19334</title>
	<link>http://www.metafilter.com/19334//</link>
	<description>Comments on MetaFilter post Comments on 19334</description>
	<pubDate>Tue, 20 Aug 2002 23:44:46 -0800</pubDate>
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		<title>Post number 19334</title>
		<link>http://www.metafilter.com/19334/</link>	
		<description>&lt;a href="http://www.bopsecrets.org/index.shtml"&gt;The Bureau Of Public Secrets&lt;/a&gt; , &lt;a href=&quot;http://www.bopsecrets.org/rexroth/index.htm&quot;&gt;Kenneth Rexroth &lt;/a&gt;and &lt;a href=&quot;http://travesti.geophys.mcgill.ca/~olivia/SAPPHO/&quot; title=&quot;But she, the woman, the poet, where is she? Who is she? With her works torn to shreads, scattered and buried deep in the sands, in the night of Egyptian tombs, she was deprived of her poems, divested of all historical reality -- modern authors have treated her as an imaginary poet born of legend. But a journey or 2,500 years through works and arts, through customs and ideas, reveals that her glory was dazzling and she was the first modern poet.&quot;&gt;Sappho&lt;/a&gt;. It was while looking for this fragment  of hers, translated by him--(Details within)</description>
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		<pubDate>Tue, 20 Aug 2002 23:44:06 -0800</pubDate>
		<dc:creator>y2karl</dc:creator>		<category>kennethrexroth</category>		<category>sappho</category>		<category>poetry</category>		<category>bureauofpublicsecrets</category>
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		<title>By: y2karl</title>
		<link>http://www.metafilter.com/19334/#327005</link>	
		<description>&lt;blockquote&gt;The moon has set, 
And the Pleiades. It is 
Midnight. Time passes. 
I sleep alone.&lt;/blockquote&gt;
--that I came across the Bureau. A better introduction to the &lt;a href=&quot;http://www.bopsecrets.org/SI/contents.htm&quot;&gt;Siuationist International&lt;/a&gt;, &lt;a href=&quot;http://www.bopsecrets.org/SI/debord/index.htm&quot;&gt;Society and the Spectacle&lt;/a&gt;--&lt;i&gt;as if I&apos;d know!&lt;/i&gt;--and, surprise, surprise, &lt;a href=&quot;http://www.english.uiuc.edu/maps/poets/m_r/rexroth/rexroth.htm&quot;&gt;Kenneth Rexroth&lt;/a&gt; have I yet to find

Of &lt;a href=&quot;http://www.temple.edu/classics/sappho.html&quot; title=&quot;This page is devoted to understanding the poetry of Sappho.&quot;&gt;Sappho&lt;/a&gt;, not much is known of &lt;a href=&quot;http://mkatz.web.wesleyan.edu/Images2/cciv243.Parker.html&quot; title=&quot;Just as Sappho&apos;s poetry shares concerns and subject matter with Alcaeus and the other lyric poets, so Sappho&apos;s society should also be regarded as a hetairia. Analogous to Alcaeus&apos; circle, Sappho&apos;s society was a group of women tied by family, class, politics, and erotic love. Like any other association, it cooperated in ritual activities, cult practice, and informal social events. Her subjects, like those of the other lyric poets, were praising her group&apos;s friends, attacking its enemies, celebrating its loves, and offering songs for its banquets. This picture has I believe a greater fidelity to the facts. It removes a distorting series of assumptions and reveals an exciting world, where women as well as men are concerned with love and politics and where Sappho is no longer a schoolmistress but a poet.&quot;&gt;her&lt;/a&gt; or &lt;a href=&quot;http://www.sacred-texts.com/cla/sappho/index.htm&quot; title=&quot;We do not have any historical record of Sappho having an extended relationship with a woman, or explicit poetry of hers which depicts &apos;lesbian&apos; sexuality. If you come to her expecting to find &apos;&apos;Xena&apos;&apos; or &apos;&apos;Gabrielle&apos;&apos;, or lesbian erotica, you will be missing the point. The reputation of Sappho in the twentieth century based on her supposed exclusive preference for women is a self-perpetuating myth which has completely obscured the real value of her work: some of the most hauntingly beautiful and evocative poetry that has ever been written. Even some of the shortest fragments meet the test of &apos;true poetry&apos; that Robert Graves proposed: they make the hair on the back of your neck stand up.&quot;&gt;her&lt;/a&gt; &lt;a href=&quot;http://www.emule.com/poetry/?page=overview&amp;author=51&quot; title=&quot;Although they are only breath, words which I command are immortal &quot;&gt;work&lt;/a&gt;. &lt;a href=&quot;http://www.tufts.edu/org/hellenic/kazazis/sappho.html&quot; title=&quot;Facts are scant and contradictory concerning the life of Sappho, the greatest of the early Greek lyric poets, whom Plato called &apos;&apos;the tenth Muse.&apos;&apos; &quot;&gt;She&lt;/a&gt; was anthologized until the Christian era and then neglected. She lived on the island of &lt;a href=&quot;http://www.sappho.com/&quot; title=&quot;This is not a sex site. There are no pnotographs of nude women.&quot;&gt;Lesbos&lt;/a&gt; in the 6th Century BC, wrote in Aoelic Greek, and of her work, we have only fragments. The problems in translation across so great a gulf of time and place are &lt;a href=&quot;http://community.middlebury.edu/~harris/Translations/Sappho.html&quot; title=&quot;The literal translation is very bland, but poetic translations are generally not much better. Dionysos of Hallicarnasos who quotes this poem for us, remarks that the charm comes from the sounds themselves which are combined in special ways, interwoven with care and skill. This is the first and primary loss for us, in Robert Frost&apos;s words: Poetry is that which is lost in translation. The sounds are gone, which might serve as the first reason for studying Greek.&quot;&gt;nearly&lt;/a&gt; unimaginable.And yet across centuries and the gulf of translation, &lt;a href=&quot;http://classicpersuasion.org/pw/sappho/&quot; title=&quot;O it is godlike...&quot;&gt;she&lt;/a&gt; &lt;a href=&quot;http://www.globaldialog.com/~thefko/tom/gi_sappho.html&quot; title=&quot;Someone In Another Time Will Remember Us.&quot;&gt;shines&lt;/a&gt;.

I find that &lt;a href=&quot;http://www.english.uiuc.edu/maps/poets/m_r/rexroth/gutierrez.htm&quot; title=&quot;Kenneth Rexroth, who was born in l905 and died in l982, was a major American poet. He wrote poetry for over sixty years, and though he had some recognition during his lifetime, it was far less than his work (prose as well as poetry) deserved. A bohemian, an astute literary and social critic and radical, an autodidact and polymath, a transvaluational thinker and wit, confabulator, a translator of poetry from half a dozen languages, Rexroth failed to gain the recognition during his lifetime that he deserved as a poet in part because American literary politics and literary critical orientations didn&apos;t not work in his favor during a sizable part of his career. Ironically, much of his best verse was written from the l930s to the mid-l950s, a period when academic, literary and political tastes prevailed that were alien to many of the social, philosophical and artistic values for which Rexroth&apos;s art and life stood. &quot;&gt;Kenneth&lt;/a&gt; &lt;a href=&quot;http://www.thing.net/~grist/ld/rexroth/rex-01.htm&quot; title=&quot;Kenneth Rexroth lived many lives in the avant-garde of six decades--first in Chicago as a precocious actor, cubist painter, and soap-box poet of revolution after World War I, then on the west coast as Wobbly, cowboy-cook, and mountain-climbing naturalist committed to the protection of the planet long before ecology became a popular concern. Exploring Mexico, New York, Europe, and later Asia, he won international fame as a poet of vision and protest, an erudite and popular essayist, a translator from half a dozen languages, Asian and Western, and an original thinker whose anarcho-erotic- Buddhist-Christian worldview united worldly and transcendental wisdom. &quot;&gt;Rexroth&lt;/a&gt; is a person I have underestimated in my vast ignorance. I came across his &lt;i&gt;&lt;a href=&quot;http://www.dallasnw.quik.com/bombadil/brunching/poetry/whenwewithsappho.html&quot;&gt;When We With Sappho&lt;/a&gt;&lt;/i&gt; while in search of the fragment I&apos;ve quoted. Wowsers.

Therefore I invite you to, starting at the &lt;a href=&quot;http://www.bopsecrets.org/rexroth/index.htm&quot;&gt;Rexroth Archive&lt;/a&gt;, dive into the deep end of the pool of the Bureau Of Public Secrets, through Debord, detournement, &lt;a href=&quot;http://www.bopsecrets.org/PS/contents.htm&quot;&gt;Ken Knabb&lt;/a&gt; and all his works. After taking the side trip, of course, to&lt;a href=&quot;http://sunsite.dk/cgfa/alma/alma6.jpg&quot;&gt; Sappho &lt;/a&gt;at the isle of Lesbos, &apos;cause that&apos;s how my mind works. See ya in the &lt;a href=&quot;http://www.bopsecrets.org/comics/reich.htm&quot;&gt;funny papers&lt;/a&gt;.</description>
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		<pubDate>Tue, 20 Aug 2002 23:44:46 -0800</pubDate>
		<dc:creator>y2karl</dc:creator>
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		<title>By: slipperywhenwet</title>
		<link>http://www.metafilter.com/19334/#327007</link>	
		<description>arrrhhhhgg... Information... Overload! 

Good stuiff, karl. Have to take a look at those links in the morning..</description>
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		<pubDate>Tue, 20 Aug 2002 23:54:30 -0800</pubDate>
		<dc:creator>slipperywhenwet</dc:creator>
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		<title>By: Summer</title>
		<link>http://www.metafilter.com/19334/#327018</link>	
		<description>You should have made two front page posts with this I think y2karl. But still, some of the most meaty subject matter I&apos;ve come across on Metafilter so thanks for that.</description>
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		<pubDate>Wed, 21 Aug 2002 01:19:09 -0800</pubDate>
		<dc:creator>Summer</dc:creator>
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		<title>By: octobersurprise</title>
		<link>http://www.metafilter.com/19334/#327161</link>	
		<description>  And a painting by &lt;a href=&quot;http://www.nrg.com.au/~devouia/almatadema.html&quot;&gt;Alma-Tadema&lt;/a&gt;, too! I&apos;m mostly Greekless, but Sappho and the Greek lyric poets are high on my list of desert island books. My dog-eared copy of Barnestone&apos;s &lt;a href=&quot;http://www.barnstone.com/Books/sapphoglp.html&quot;&gt;&lt;i&gt;Sappho and the Greek Lyric Poets&lt;/i&gt;&lt;/a&gt; is my favorite translation, even if a comparison to &lt;a href=&quot;http://www.oup-usa.org/isbn/0192836781.html&quot;&gt;West&apos;s&lt;/a&gt; translation makes me wonder if it isn&apos;t a little too free. And my hometown boy &lt;a href=&quot;http://www.geocities.com/chuck_ralston/07_dav.htm&quot;&gt;Guy Davenport&lt;/a&gt; deserves a shout out, too, for his translation of &lt;a href=&quot;http://www.wwnorton.com/nd/Completecatalog.html#d&quot;&gt;&lt;i&gt;7 Greeks&lt;/i&gt;&lt;/a&gt;. Rexroth&apos;s translations are new to me, but your link and this &lt;a href=&quot;http://ccat.sas.upenn.edu/bmcr/2000/2000-11-06.html&quot;&gt;review&lt;/a&gt; make me want to rush out and get it. Mmmm ... maybe I&apos;ll just take the rest of the week off ....</description>
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		<pubDate>Wed, 21 Aug 2002 07:27:42 -0800</pubDate>
		<dc:creator>octobersurprise</dc:creator>
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		<title>By: MarkAnd</title>
		<link>http://www.metafilter.com/19334/#327263</link>	
		<description>We were reading Sappho in a literature survey class freshman year in college and one of the other students kept saying, &quot;he wrote this, he wrote that,&quot; etc.  When the professor finally asked, &quot;Who are you talking about?&quot; the student said, &quot;Sappho, of course!&quot;

The professor said, &quot;Sappho&apos;s a woman,&quot; to which the student replied, &quot;But that&apos;s impossible, he&apos;s talking about being in love with a woman!&quot;

Then they got in a big argument (at one point the student actually said, &quot;Prove it!&quot;).  Man, that was funny.</description>
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		<pubDate>Wed, 21 Aug 2002 08:47:43 -0800</pubDate>
		<dc:creator>MarkAnd</dc:creator>
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		<title>By: languagehat</title>
		<link>http://www.metafilter.com/19334/#327506</link>	
		<description>Great links, y2karl.  Sappho is one of my favorite poets -- I learned Greek mostly to read Homer, Archilochus, and her -- and the fact that we have so little of her poetry is a major point in my bill of particulars against Christianity.  It&apos;s pretty amusing to see in the Edith Mora quote the collective result of two and a half millennia of fantasies concerning her life, about which (as you point out) we know essentially nothing.    (I like the Situationists, too, but more in the way you like your crazy cousin Eddie who keeps setting his hair on fire.)

Oh, and the Rexroth poem is wonderful; I&apos;ll have to pay him more mind.  I blush to confess, though, that when I first read the line
&quot;All about us the old farm subsides&quot;
I thought it said &quot;farm &lt;i&gt;subsidies&lt;/i&gt;.&quot;  I&apos;ve got to start reading fewer newspapers and more poetry.</description>
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		<pubDate>Wed, 21 Aug 2002 11:39:51 -0800</pubDate>
		<dc:creator>languagehat</dc:creator>
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		<title>By: moss</title>
		<link>http://www.metafilter.com/19334/#327779</link>	
		<description>You remind me that I haven&apos;t read any Rexroth since I was in high school. That ought to be remedied--he&apos;s wonderful.  His &lt;a href=&quot;http://www.bopsecrets.org/rexroth/poems/1950s.htm#THOU%20SHALT%20NOT%20KILL&quot;&gt;memorial for Dylan Thomas&lt;/a&gt; tears me to pieces whenever I read it. In an entirely different mood, the bestiary he wrote for his daughters (of which an &lt;a href=&quot;http://www.bopsecrets.org/rexroth/poems/1950s.htm#From%20A%20BESTIARY&quot;&gt;excerpt&lt;/a&gt; is available at the linked site) is sparklingly delightful, even with a too perceptive summary of Plato&apos;s &lt;i&gt;Republic&lt;/i&gt;.

Anyone who knows even a little Greek should try reading at least the first two fragments of Sappho. The dialect is a bit unusual, but not too hard with a good commentary and maybe a couple of friends to help out. Even if you can&apos;t follow the grammar perfectly, they sound simply musical. &lt;a href=&quot;http://classicpersuasion.org/pw/sappho/index.htm&quot;&gt;Greek texts&lt;/a&gt; &lt;small&gt;[&lt;a href=&quot;http://classicpersuasion.org/pw/sappho/sape01u.htm&quot;&gt;fragment one&lt;/a&gt;; &lt;a href=&quot;http://classicpersuasion.org/pw/sappho/sape02u.htm&quot;&gt;fragment two&lt;/a&gt;]&lt;/small&gt; of them are available online (though not, sadly, from &lt;a href=&quot;http://www.perseus.tufts.edu/&quot;&gt;Perseus&lt;/a&gt;). (I haven&apos;t yet been through all the links above, so those texts may already have been pointed out. I noticed a transliteration in y2karl&apos;s post, but these are Unicode, which makes for much nicer reading.)</description>
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		<pubDate>Wed, 21 Aug 2002 15:11:08 -0800</pubDate>
		<dc:creator>moss</dc:creator>
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