Comments on: Looting Asia's antiquities

Looting Asia's antiquities

homunculus — Sun, 26 Oct 2003 14:41:08 -0800

The trade in stolen Asian relics is booming. TIME reports on how cultural sites are being looted and precious artifacts smuggled overseas. Sometimes they're returned, but much of Asia's cultural heritage is being lost.

By: homunculus

homunculus — Sun, 26 Oct 2003 14:51:42 -0800

The Looting of Turquoise Mountain

By: yoga

yoga — Sun, 26 Oct 2003 14:58:24 -0800

A Death in China.

By: keli

keli — Sun, 26 Oct 2003 15:14:44 -0800

Find Stolen Art

By: clavdivs

clavdivs — Sun, 26 Oct 2003 15:33:00 -0800

IHT article from August this year concerning cambodian art. (off subject) 'How Mussolini park ruined frescoes of Nero's palace'

By: mischief

mischief — Sun, 26 Oct 2003 15:44:58 -0800

"much of Asia's cultural heritage is being lost" Sounds more like it is being found and preserved, just somewhere else.

By: The Michael The

The Michael The — Sun, 26 Oct 2003 16:24:32 -0800

Colin Renfrew, one of the most renowned archaeologists in the world, just gave a talk about this in my department. He discussed the other end of looting, those who provide the drive for antiquities collection, and named names of some of the culprits: The Met, the Boston MFA, and the Getty Museum. These bodies and private collectors themselves, he accuses, not the looters themselves, ultimately provide the funds and motivation for stolen art objects, which is a pretty strong allegation, but well laid out and logical, with the conclusion that to stop looters, the demand must be cut off as well.

By: Civil_Disobedient

Civil_Disobedient — Sun, 26 Oct 2003 20:28:27 -0800

I don't know. When I went to Angkor Thom a few years ago, the place was a shambles. There simply isn't enough money to preserve (or safeguard) the friezes or statues. I find it more heartbreaking that the looters will chisel away sections of decorated walls to sell for small profits than when a large agency or museum takes possession of larger artifacts. It's a tragedy, certainly, but if you were ass-poor and surrounded by ruins that some foreigner is willing to pay you a year's salary for, I think the choice is simple.

By: i blame your mother

i blame your mother — Mon, 27 Oct 2003 05:19:29 -0800

As you enter Angkor from the one-horse, third-world, dirt-poor town of Siam Reap, you get to a Very Nice visitors centre/gate at which one is obliged to stop. A visitor's pass is issued, a fee levied, but it seems a reasonable amount for upkeep of the park. I was later told that the visitor center is run by a Vietnamese petroleum interest that supplied Hun Sen with fuel during his coup and that this was the repayment. Evidently a very low percentage of the profit stays in Cambodia. A lot of the funds to maintain Angkor are still from EFEO, UNESCO, German and Japanese funds etc. However accurate that may be, it is only one of many such examples of a "disinterested caretaker in charge of valuable goods". Hard to keep up a temple when you have a government that looks at historical sites as collateral on a loan. This type of "acquisition" of foreign antiquities ("that belongs in a museum" to quote the estimable and fictional Indiana Jones) has two sides of course... the Elgin Marbles controversy being one example of ongoing debate. While I am against the expatriation of cultural relics and antiquities on a sort of gut-level "property of the country they are found in" way, there are a lot of examples of the country of origin not being able to care for their treasures as well as foreign museums. So I guess part of the question is also "are these works the inheritance of Greece/China/Afghanistan/etc." or are they are also an inheritance of the world? What claim do citizens of the world have on such items? I personally would rather have seen the giant Buddha statues pilfered and stuffed in an attic in the British Museum than destroyed.

By: magullo

magullo — Mon, 27 Oct 2003 08:17:07 -0800

Whatever you do, do not buy a Buddha head anywhere, ever, antique or modern. That would be step 1.