Jesse & Celine & Nina Simone
July 20, 2004 6:27 AM Subscribe
Just in time, you’ve found me just in time. Richard Linklater, like
Wong Kar-
wai, is a lyrical and elegiac filmmaker. In many of his films, as in many of Wong's (and as in
Ming-liang Tsai's
What Time Is It There?), the subject is
time -- the
romance and poetry of
moments ticking by, the wonder and anguish of living through and then remembering an hour or a day.
In 1995 Linklater made
Before Sunrise, the story of
the chance encounter of two strangers (an American young man and a French young woman) on a European train and their sleepless night in Vienna. Now ten years have passed, and they meet
again in Paris: they -- and the audience -- only have 80 minutes to make up for the time they lost,
Before Sunset. Linklater's new film,
shot in uncut Steadycam takes (the longest clocks in at 11 minutes), in a sense
is about how we create selves just by talking. But it’s also about how we become prisoners of time.
Towards the end of the movie,
Celine, sitting in the backseat of a car with
Jesse, starts to caress his head while he isn't looking, then suddenly pulls back, and that simple curtailed gesture carries in it a sense of tragedy,
the consequence of the weight of time...
(more inside, with Nina Simone)
posted by matteo (22 comments total)
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posted by matteo at 6:29 AM on July 20, 2004