The Aztecs at the Guggenheim.
November 6, 2004 4:48 PM Subscribe
Memento Mori. The Aztecs made war almost tenderly, wielding wooden swords that were edged with bits of obsidian or flint and, in face-to-face combat, endeavoring not to kill their enemies but, commonly by striking at their legs, to disable and capture them. Later, the captives—thousands of them for a rededication of the Great Temple at Tenochtitlán (now Mexico City) in 1478—were led to high platforms, where priests tore out and displayed their still-beating hearts. An especially respected prisoner might be allowed to fight for his life against Aztec warriors, at the last, with clubs and a sword, but his sword was edged with feathers.
“
The Aztec Empire,” at the
Guggenheim in New York, is
advertised as the
most comprehensive exhibition of Aztec art ever mounted outside Mexico. More inside.
posted by matteo (16 comments total)
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The empire proved a pushover for Cortés, for several reasons. One is that the Aztecs had violated the show-business adage about being careful how you treat people on your way up. Embittered neighbors enthusiastically joined the Spaniards—at whose hands they would suffer, in their turn—to demolish Tenochtitlán, in 1521. The Aztecs, with their ceremonial and sporting approach to warfare, were unequal not just to steel and gunpowder but to soldiers (rather than warriors), who killed pragmatically and rarely bothered to take prisoners. Smallpox completed the devastation. The story that Montezuma II was unnerved by a suspicion that Cortés, in his armor, was the plumed serpent-god Quetzalcoatl—he tried to buy off the conqueror, as one would the gods, with lavish offerings—is disputed by scholars. But it seems clear that the emperor could not think outside the terms of a faith that had appeared to account for all eventualities. To enter the force field of the Aztecs’ collective dream, at the Guggenheim, is to reset the defaults of your imagination.
posted by matteo at 4:50 PM on November 6, 2004