In the work of Lorcan O’Herlihy, a significant emerging voice in this new generation, the faith in modernist reticence, in abstraction, in “white” architecture, is mediated through a contemporary sense of inventiveness in the use of materials, raw and manufactured, their possible modes of assembly, and phenomenal effects of the projected constructions.I'm all for the language of critical theory (really I am), but hey, that shit don't make no sense...
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posted by kamylyon at 8:38 AM on December 2, 2004