SubscribeThe aesthetic appeal of a design is not an objective fact.You seemed to think that meant I was saying that all aesthetics were arbitrary. I really don't understand that interpretation, but hey, I can't get inside your head and figure out why you read things like you do, so let's move on. Here's another thing I said:
Functional (e.g. ergonomic) success can be an objective fact.I suppose you can be excused for not the implicit valorization of the Arts & Crafts ethos, but I'm at a loss to understand how you ignore the fact that I cited specific examples of how ergonomically successful designs could be made attractive - and in a way that should have made it abundantly clear to someone who was not working very hard to misunderstand that I thought that was a good thing. I'm left to speculate that your exclusion of the middle was willful -- that you might have been picking a fight to count coup. (And by the way -- if I dissed haute design chairs for their "ergonomics", what the hell would I be talking about if not "comfort"? And so how could you support a claim that I 'added comfort later'?)
No, I'm not going to write those designs off because they're "not infinitely variable." I'm going to write them off because they're painful to use. The Aeron (and much of the Eames stuff, too) proves that it's possible to create beautiful design that's not painful. IMHO, most haute designers should be sent back in time and apprenticed for ten years at the Roycroft.
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posted by armage at 5:56 AM on December 4, 2004