Comments on: More Cowbell^H^H^H^H^H^H^H Sax!

More Cowbell^H^H^H^H^H^H^H Sax!

tss — Thu, 27 Jan 2005 22:01:49 -0800

Ever notice a little too much sax in 80's music? (Warning: Slow loading page---lots of embedded Quicktime.)

By: synecdoche

synecdoche — Thu, 27 Jan 2005 22:31:08 -0800

I HAVE noticed that. Thanks, this link was fun. I sent it to a sax-playing friend who promptly started defending the solos in Bad to the Bone and Never Surrender. I'd love to see a similar page with trumpet solos (me being a former trumpet player).

By: blendor

blendor — Thu, 27 Jan 2005 22:32:51 -0800

haha, i love the ratings. "spaz" i actually like most of those songs. i don't think i even noticed the bad sax solos... i must've blocked them out. or those were the parts where i was paying attention to my driving.

By: benhugstrees

benhugstrees — Thu, 27 Jan 2005 23:01:44 -0800

I'm at work, so I won't be able to see the page until I get home, but I have a feeling I love it already. ...and If it's trumpet solos your'e looking for look no further than trumpetboredom.com

By: LordSludge

LordSludge — Thu, 27 Jan 2005 23:33:24 -0800

Too much sax, but never enough cowbell. /sigh What about Soundgarden? Or were they early '90s? Damn, I'm old.

By: phatboy

phatboy — Thu, 27 Jan 2005 23:35:27 -0800

Wow, great page. That must have took a lot of work!

By: quadog

quadog — Fri, 28 Jan 2005 01:51:34 -0800

Before even visiting this page, one band came to mind - INXS.

By: sklero

sklero — Fri, 28 Jan 2005 03:39:52 -0800

Fraud! First, the sax solo in INXS's "What You Need" is one of the best ones on the page. Second, the sax solo in Eric Carmen's "Hungry Eyes" is not even a real sax. It's a synth patch.

By: XQUZYPHYR

XQUZYPHYR — Fri, 28 Jan 2005 03:55:00 -0800

And what's all this talk about violins on television?

By: insomnia_lj

insomnia_lj — Fri, 28 Jan 2005 03:56:35 -0800

The '80s had some good usage of sax, too... My favorite bits were probably: Andy McKay, playing lead sax on Roxy Music's "Avalon". Andy is arguably the root of most early 80's saxophone influences. David Sanborn, playing lead sax on Brian Ferry's "Boys and Girls". Say what you like about Sanborn, but there was a reason why this was the sexiest sounding album of the year. Lee Thompson a.k.a. Thommo on Madness "One Step Beyond". Nobody ever accused Madness of too much saxophone... they were far too busy at the time. Yes, the title track is great, but what about "Night Boat to Cairo"... or the whole album, for that matter?

By: psmealey

psmealey — Fri, 28 Jan 2005 04:48:35 -0800

How can we have this dicussion without talking about Quarterflash? OK, we don't have to talk about Quarterflash.

By: iconomy

iconomy — Fri, 28 Jan 2005 05:02:23 -0800

Great link. It reminded me of how much I used to love that George Harrison song.

By: Who_Am_I

Who_Am_I — Fri, 28 Jan 2005 05:32:14 -0800

All this talk about sax solos makes me want to watch Lost Boys again. The concert on the beach....awwwww yeah. Hilarious.

By: StickyCarpet

StickyCarpet — Fri, 28 Jan 2005 05:39:22 -0800

Boy, this is great when you play them all at the same time!

By: psmealey

psmealey — Fri, 28 Jan 2005 05:42:17 -0800

All this talk about sax solos makes me want to watch Lost Boys again. Hilarious is right! Who was that, btw, was that The Call? I vaguely recall the Echo and the Bunnymen cover of the Doors' "People are Strange" in that flick, which was a pretty good version. /OT

By: Songdog

Songdog — Fri, 28 Jan 2005 05:57:00 -0800

Great link, tss. This gave me a good laugh on a morning that wasn't going as planned. I think the author is overcritical of some of his solos, but the writing is a scream ([On a "moodbreaker":] "This solo started before the song really started. So the mood that is broken is one of optimism, like 'I hope this is a great song!'").

By: kirkaracha

kirkaracha — Fri, 28 Jan 2005 06:36:29 -0800

I like the sax solo in "Never Tear Us Apart." He says "ridiculously dramatic" like it's a bad thing.

By: KevinSkomsvold

KevinSkomsvold — Fri, 28 Jan 2005 07:08:00 -0800

What about Rob Lowe in "St. Elmo's Fire" as the edgy musician with a past? A sax player, heh. Sax was the trucker hat of the 80s.

By: howling fantods

howling fantods — Fri, 28 Jan 2005 07:16:16 -0800

Damn you tss. Now I've got Billy Ocean running through my head. Spaz! I'm also reminded of Liesure Process's "Love Cascade". The 12" even had a picture of a guy holding a sax, so at least you knew what to expect.

By: sourwookie

sourwookie — Fri, 28 Jan 2005 07:22:02 -0800

All this talk about sax solos makes me want to watch Lost Boys again. The concert on the beach....awwwww yeah. Hilarious. Who was that oiled-up, well-chiseled slab of hunky band nerd?

By: devetron

devetron — Fri, 28 Jan 2005 07:31:48 -0800

Listening to all of those, I realized that I know every single note of those solos by heart. It makes me wonder how much of my memory is dedicated to sax solos, not to mention guitar solos. Now, if I could only remember my mother's birthday...

By: inthe80s

inthe80s — Fri, 28 Jan 2005 07:37:06 -0800

no Duran Duran's "Rio" or Quarterflash? This guy hasn't done his homework, failing grade. Of course, I think he's way too picky, but then again, he's a band geek, so what do you expect?

By: snarkywench

snarkywench — Fri, 28 Jan 2005 07:40:36 -0800

I'm sick of all this sax on the radio. I mean, I keep falling off!

By: davy

davy — Fri, 28 Jan 2005 08:24:51 -0800

I like saxophone. And trumpet. But we need more kazoo solos.

By: squidlarkin

squidlarkin — Fri, 28 Jan 2005 08:30:20 -0800

So true.

By: jenleigh

jenleigh — Fri, 28 Jan 2005 08:32:22 -0800

Great link! Anyone else remember a nattily dressed Bill Pullman wailing away at the beginning of Lost Highway during the perplexing "jazz club" scene? Truly a tragicomic sax moment.

By: djeo

djeo — Fri, 28 Jan 2005 08:34:57 -0800

Hilarious is right! Who was that, btw, was that The Call? The song, I Still Believe, was originally by The Call. But the version in Lost Boys was done by Tim Capello and was horribly cheezy.

By: Captaintripps

Captaintripps — Fri, 28 Jan 2005 08:48:01 -0800

As a sax player, I would certainly never try to defend most of these solos (however much I cherish their memory).

By: furtive

furtive — Fri, 28 Jan 2005 08:49:48 -0800

I don't know why people think the 80's spurred the sax as a rock instrument. Chuck Berry, James Brown, Meatloaf, in each decade from the 50s onward many bands included a saxophone as a key instrument. I would consider the 80s the decade with the unfortunate distinction of simultaneously progressing and killing the cause of the saxophone in rock and roll. I may be stretching things a bit, but I personally blame the death of the saxophone on Huey Lewis, when he blew everyone's paradigm with "The heart of Rock & Roll is the Beat". After that came big drums, fancy bass, the rumble of metal and the thump of hip hop. They all clued in on his foresight. Ironic since a sax was key to his band too if I remember correctly.

By: synecdoche

synecdoche — Fri, 28 Jan 2005 10:38:25 -0800

Ha ha, after seeing this, I also was reminded of that scene in The Lost Boys. That movie is so good for all the wrong reasons.

By: kurumi

kurumi — Fri, 28 Jan 2005 11:55:45 -0800

I'm always reminded of Steve Winwood's "Higher Love", which IIRC didn't have sax, but did have plenty of the other '80s tropes: - synth brass stabs (or real brass played that way) - gospel-style female vocalists added as flavoring - noise-gated synth drums or processed drums - synth keyboard plucking, almost a harpsichord feel I figure he had to follow the trends to sell records and pay the bills, but it must have been eating him up inside to have to write music like that.

By: O9scar

O9scar — Fri, 28 Jan 2005 12:47:37 -0800

I don't know if he's on the list since I can't get the page to load, but I used to laugh at Eddie Money's fake sax solos in his videos. He would blow the horn oh so soulfully, while his fingers just flailed like crazy.

By: jonmc

jonmc — Fri, 28 Jan 2005 13:23:29 -0800

Ah, Eddie Money. Fake sax solos aside, he was one of the better specimens of that subspecies known as Springsteen-lite. And "I Wanna Go Back," is actually quite a fine song.

By: Swampjazz!

Swampjazz! — Fri, 28 Jan 2005 13:30:35 -0800

Ah, Eddie Money. Fake sax solos aside, he was one of the better specimens of that subspecies known as Springsteen-lite. And "I Wanna Go Back," is actually quite a fine song. What?

By: jonmc

jonmc — Fri, 28 Jan 2005 13:47:46 -0800

Not that I want to wear him on my pants on anything.

By: chaz

chaz — Fri, 28 Jan 2005 14:08:38 -0800

He missed that great Cure sax solo on, I think, "A Night Like This". I guess in concert they replace it with a guitar solo nowadays. Too bad, sax is OUT.

By: psmealey

psmealey — Fri, 28 Jan 2005 19:51:49 -0800

Not sure why Gerry Rafferty hasn't come up yet, but ok.

By: jonmc

jonmc — Fri, 28 Jan 2005 20:24:32 -0800

psmealey: Good call, "Baker Street," is right up there with "Jungleland," on the list of best non-R&B/jazz sax solos ever.

By: Vidiot

Vidiot — Fri, 28 Jan 2005 21:48:54 -0800

hey, at least they didn't dis Chris White's sax solos in Dire Straits songs...