I've always wondered what this would look like but not enough to buy the equipment. Thanks for the link. posted by arse_hat at 5:12 PM on May 29, 2005
[noisce] posted by Gyan at 5:54 PM on May 29, 2005
great link, I'll be reading this for some time to come. I'd be interested to see the "hits" that didn't follow the sonic pattern though. posted by j.p. Hung at 6:12 PM on May 29, 2005
If you were a highly skilled surgeon able to use dead people's body parts at will to create a composite human - selecting the best hearts, muscles, lungs, brains, genetic makeups, immune systems, reproductive systems and then you stitched them together with extreme precision using modern laser and other surgery techniques, what you would end up with is a highly anatomically appealing piece of dead meat. Reminds me of the thoughts of the 19th Century German anatomist Rudolf Virchow who declared, much to Wassily Kandinsky's disgust, that "I have dissected many corpses, but never yet discovered a soul in any of them."
Interesting in any case but seriously missing the point. posted by DirtyCreature at 6:58 PM on May 29, 2005
Nice link - the chatty tone of the analysis makes it even more enjoyable/understandable. I'm off to see a Pink Floyd Tribute band next week and the PF section got me all excited about it
(Also, Gyan: missed your last post in our phil. of mind discussion - I've put my email up in my profile if you still wish to continue it) posted by Sparx at 7:01 PM on May 29, 2005
Sparx: got it. posted by Gyan at 7:47 PM on May 29, 2005
I found the points he made very interesting, but I wasn't wholly convinced by the logical arguments. For instance, he cherry-picked records which have already sold well for 20, 25, or even 30 years, to compare with albums which haven't had 10 years to get their second retro wind. It's not clear that these are useful contrasts. His arguments about dynamic range are seriously weakened when you consider the MP3 and computer speaker or iPod environment where many people listen to music nowadays. Does dynamic range matter as much? Is that driving the "loudness" trend? If so, does that undercut his argument about sales? I'd like to see some counterarguments and outlier examples. I'd also like to see, for example, some Nine Inch Nails or other famously loud music that still sells pretty well over the long term. It's loud, but does his analysis show compromised dynamic range? Are there other factors involved? posted by dhartung at 9:13 PM on May 29, 2005
All you need is a few simple programs and you can do this for yourself.
As for this guy's "analysis," after reading a few of them I am convinced it is utter nonsense. The technology is real, but that is not what it is for. Really, though, check out my writeup, you'll be having fun with this in no time. posted by BlackLeotardFront at 1:53 AM on May 30, 2005
If you look later (or earlier) in that aphex twin song, you see something that really really looks like a DNA test. posted by Mach5 at 9:12 AM on May 30, 2005
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posted by fatbobsmith at 4:45 PM on May 29, 2005