SubscribeIn contrast to the Western idea that an artist's finished work is to be regarded as unalterable, here nails, spikes, and other iron elements were later inserted around the figure's chin, into its shoulders, and over much of its torso—additions that inevitably have a powerful effect on a viewer's experience of the work. They were not part of the original design but were added over a period of time. A diviner would use the power figure for different consultations, adding to it and altering it according to the requirement of the case. Since Christian images of various martyred saints, studded with piercing elements, were introduced into the region from Portugal beginning in the sixteenth century, it has been suggested that Kongo culture may have drawn upon its experience of that visual vocabulary.
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posted by taz at 4:29 AM on November 13, 2005