"Kathleen Ferrier's performance in Das Lied remains among the deepest and happiest experiences of my musical life. The lovely timbre of her voice moved me as hardly any other sound has. And she had a soul as well as a voice. That soul knew and resounded the very soul of Mahler's work. I have often thought how much it would have meant to him to hear the profound understanding in her performances."— Bruno Walter
Of the Messiah, two things linger in my memory. The Recit. “Then shall the eyes of the blind be opened,” in which the miracles were made manifest; and the searing beauty of “He was despised” - for she, too, had known sorrows and was acquainted with grief. The Chausson brings to mind a moment I have described elsewhere how, when lying in her cot not long before the end, she told me, still smiling, of the way she used to try to whileaway the long hours by trying to remember what she always called “me words.” At that moment, she sang me the opening phrase; the body ravaged, the voice divinely shielded. I sometimes wonder, was I the last to hear that wondrous sound.-- Sir John Barbirolli
"Everywhere that dear earth blossoms forth in springand you'll understand why, once, during rehearsals, the orchestra had to stop playing while Ferrier was singing -- too many musicians had started to cry.
and grows green again
Everywhere and forever,
distant horizons gleam blue;
forever...forever"
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posted by matteo at 8:24 AM on December 3, 2005