During the summer of 2000, I worked for The New York Times Magazine photographing men who were wrongfully convicted, imprisoned, and subsequently freed from death row. After this assignment, I began to investigate photography's role in the criminal justice system. I traveled across the United States photographing and interviewing men and women convicted of crimes they did not commit. In these cases, photography offered the criminal justice system a tool that transformed innocent citizens into criminals, assisted officers in obtaining erroneous eyewitness identifications, and aided prosecutors in securing convictions. The criminal justice system had failed to recognize the limitations of relying on photographic images.
Photography's ability to blur truth and fiction is one of its most compelling qualities. But when misused as part of a prosecutor's arsenal, this ambiguity can have severe, even lethal consequences. Photographs in the criminal justice system, and elsewhere, can turn fiction into fact. As I got to know the men and women in this book, I saw that photography's ambiguity, beautiful in one context, can be devastating in another.
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