Comments on: Hi, How Are You?

Hi, How Are You?

rollbiz — Tue, 14 Mar 2006 15:39:38 -0800

A new documentary is about to be released about Daniel Johnston. Johnston is the mind behind Hi, How Are You?, a basement tape which has enjoyed a cult following since not long after he distributed it to strangers in the streets of Austin, TX. Despite a constant battle with mental illness, he has managed to assemble quite a discography as well as creating artwork. More on Johnston here and here. [ (not much) More Inside.]

By: rollbiz

rollbiz — Tue, 14 Mar 2006 15:40:43 -0800

I know that he has been mentioned many times previously, and that many of you probably know more about him than I, but I felt like this would be a good time to give the man an FPP.

By: ernie

ernie — Tue, 14 Mar 2006 15:47:15 -0800

Many years ago I walked by Sound Exchange, like I always did on the way home, and it was a plain white wall. The next day it looked like this, and it has always tripped me out. Sorta like walking by a lightpole and having it turn off/on, but way more psychedlic. I always loved it.

By: ernie

ernie — Tue, 14 Mar 2006 15:47:47 -0800

'delic' :(

By: roguescout

roguescout — Tue, 14 Mar 2006 15:56:30 -0800

Wall: Hi, How are you? Developer: I'm great! We're buliding a new Baja Fresh to increase the generic urban sprawl level around here! Wall: But I have been here for 18 years and I make people smile. Developer: You are outta' here! Buh-bye retard graffiti wall! How are you now? Wall: I'm sad. So very, very sad. Developer: Bring in the sandblaster!

By: rollbiz

rollbiz — Tue, 14 Mar 2006 15:59:02 -0800

In some way I can't really explain, the path of the reasoning in destroying that wall makes me wonder who in the scenario is reallly "metally ill".

By: rollbiz

rollbiz — Tue, 14 Mar 2006 16:02:33 -0800

Also: In 1993, Johnston painted a mural of the "Hi, How Are You?" frog, also known as Jeremiah after the Three Dog Night song, on the side of the Austin Sound Exchange music store. The site was converted into a Baja Fresh franchise in 2004. Although initial plans called for the mural to be torn down, public outcry caused restaurant owner John Oudt to let the mural stay, at a price of $50,000 in additional costs and lost revenue.

By: Lockjaw

Lockjaw — Tue, 14 Mar 2006 16:26:11 -0800

That Sound Exchange building used to house a fabulous hideaway bar and music spot (and pizza restaurant) called The Other Side back in the day (c.1981). And now you're telling me it's a Baja Fresh franchise? Oh, God. First Les Amis and now this. Well, at least Daniel Johnston got a hold of it first!

By: dobbs

dobbs — Tue, 14 Mar 2006 16:29:27 -0800

I saw the film last fall. It's one of the best documentaries I've ever seen about an artist or musician.

By: ZippityBuddha

ZippityBuddha — Tue, 14 Mar 2006 16:39:32 -0800

Excellent post. Cheers

By: rokabiri

rokabiri — Tue, 14 Mar 2006 16:42:19 -0800

Man loses a wall and gains a documentary. I can't remember when I have wanted to see a film so badly. And after seeing Half Japanse: The Band that Would Be King [also directed by Jeff Feuerzeig], I am expecting greatness.

By: R. Mutt

R. Mutt — Tue, 14 Mar 2006 17:01:12 -0800

Daniel is in this year's Whitney Biennial.

By: R. Mutt

R. Mutt — Tue, 14 Mar 2006 17:05:08 -0800

NYT article (PDF) on DJ and the Whitney.

By: edgeways

edgeways — Tue, 14 Mar 2006 17:10:38 -0800

Dead Dog's Eyeball by Kathy McCarty is a quite good redndition of many of Daniel's songs.

By: hydrophonic

hydrophonic — Tue, 14 Mar 2006 18:10:44 -0800

I've seen him live twice. First at the Knitting Factory with Brown Whörnet backing him up, which was great. Then, a solo show at Intuit a couple of years ago, which didn't go so well. He came out, drank two cans of Coke, played maybe three songs and then went back off stage for about half and hour. He came back, drank more Coke, read a poem and played one more song, and that was it. His demons must have had a pretty strong grip on him that night. I can't wait to see this movie.

By: robocop is bleeding

robocop is bleeding — Tue, 14 Mar 2006 18:40:01 -0800

The Late, Great Daniel Johnston Discovered, Covered was one of my best music purchases of 2004. I came for the Tom Waits-as-human-beatbox cover of "King Kong" and stayed for everything else. The biggest fight I had with my wife over the planning of our wedding was over whether or not I could play "Don't Let The Sun Go Down On Your Grievience" at the reception. While I won in the end, the power did go out just as that song came on...

By: jefbla

jefbla — Tue, 14 Mar 2006 21:26:51 -0800

By the way, the mural is still there. The Baja Fresh store ended up working around once they learned the significance of it.

By: Hartster

Hartster — Wed, 15 Mar 2006 02:47:54 -0800

Here's a cool blog post by Marie Javins, who knew Daniel Johnson way back when (and whose footage features in part of the movie): http://mariejavins.blogspot.com/2006/03/songs-of-pain.html. I don't see Daniel a lot anymore. It's a tough situation. I can never make sense of where the exploitation ends and the support begins. Was I supporting a flawed genius? Was I enabling a crazier man to behave even more crazy? I never made sense of the situation morally and it made me uncomfortable to think I was part of the problem. I never made the video I always said I'd make.

By: phylum sinter

phylum sinter — Wed, 15 Mar 2006 03:51:35 -0800

Francis E. Dec (esquire) [link to mp3 album] wins the crazylympics. More about him, here. You know, i kinda draw like Mr. Johnston myself... how long before i can sell my 6 minute boredom scribblings for $600 a pop? Do i need to put it into mural first? Please advise.

By: jack_mo

jack_mo — Wed, 15 Mar 2006 07:41:17 -0800

I can never make sense of where the exploitation ends and the support begins. That's very much the feeling I got when watching the film - certain people seemed keen to 'help' Johnston perform, even at the expense of his safety and mental health. That and, 'Oh, come on, most of his music is quite shit really.' (The film basically takes the view that Johnston is the greatest 20th Century songwriter in the world... ever! At a Q&A with the producers after the screening I saw, they quite seriously suggested he is hugely superior to Robert Johnson, and various other canonical types - my guffaws didn't go down very well.)

By: SmileyChewtrain

SmileyChewtrain — Wed, 15 Mar 2006 09:01:26 -0800

I saw the film last fall. It's one of the best documentaries I've ever seen about an artist or musician. Agreed. Oh, and, his music is among the best I've ever heard...

By: illovich

illovich — Wed, 15 Mar 2006 10:29:37 -0800

Is there a site that has an archive of his tapes? My guess is that most of his material isn't commercially available, so here's hoping....

By: mykescipark

mykescipark — Wed, 15 Mar 2006 10:49:57 -0800

Is there a site that has an archive of his tapes? My guess is that most of his material isn't commercially available, so here's hoping.... Well, his stuff has always been commercially available, albeit only some of it -- going all the way back to his first tape in 1980 -- continues to be so. Johnston's combination of cottage-industry tactics and widespread licensing have meant that his material has been fairly easy to come by at the time of its release. Perversely, though, some of the most important stuff's been going in and out of print; there's just enough extant to maintain his legacy until the film (hopefully) inspires more reissues. Keep those fingers crossed.

By: rollbiz

rollbiz — Wed, 15 Mar 2006 12:07:50 -0800

eMusic has a pretty large collection of his music for download (subject to their monthly terms, of course).

By: mykescipark

mykescipark — Wed, 15 Mar 2006 18:44:17 -0800

Ah! Why didn't I think of eMusic (I'm only a member, for pete's sake). Yes, they seem to have all the important stuff and then some.