"... to come up with fifty songs, the readers and editors of the National Review had to neglect, almost entirely, the politics and lifestyles of nearly every single one of the music acts on the list... It all starts to seem like the soundtrack to the lamest orgy ever..."posted by kirkaracha at 8:40 PM on May 25, 2006
"You Can't Always Get What You Want," by The Rolling Stones.Ooooookaaaayyy.... You know, most of the entries on this list could be part of a dictionary definition of tendentious. And I notice he skips over the lines about being abused at the demonstration, and needing to shout to avoid "Blowing a 50 amp fuse".
You can "[go] down to the demonstration" and vent your frustration, but you must understand that there's no such thing as a perfect society — there are merely decent and free ones.
"Red Barchetta," by Rush.What. The. Fuck. Seriously, there's a tenuous reading of songs and then there's just making shit up. You can make an argument that the car in this case is representing personal freedom, since it's an individual mode of transport, but where in the name of all that's holy do you get environmental extremists from this song?
In a time of "the Motor Law," presumably legislated by green extremists, the singer describes family reunion and the thrill of driving a fast car — an act that is his "weekly crime."
"Revolution," by The Beatles.Did I say tendentious earlier? I think I must have meant 'full of shit'.
"You say you want a revolution / Well you know / We all want to change the world . . . Don't you know you can count me out?" What's more, Communism isn't even cool: "If you go carrying pictures of Chairman Mao / You ain't going to make it with anyone anyhow." (Someone tell the Che Guevara crowd.)
"Why Don't You Get a Job," by The Offspring.I'm beginning to suspect this article actually came from an alternate universe. Does this guy have some sort of "They Live" headset where he can see and hear the secret conservative messages in everything? Is it a magic decoder ring? I need to know.
The lyrics aren't exactly Shakespearean, but they're refreshingly blunt and they capture a motive force behind welfare reform.
what is up with the John Mellencamp callout at #31 with 'Small Town' off an album written in protest against the Reagan-era foreclosures of family farms?
"The regulations concerning safety becameProphetic! And like the cars in ANMD, today's huge SUVs save the occupants at the cost of anything smaller they hit (which is why they were chasing the smaller Barchetta).
tougher. Cars became larger, heavier, less efficient. They consumed
gasoline so voraciously that the United States had had to become a major
ally with the Arabian countries*. The new cars were hard to stop or maneuver
quickly. but they would save your life (usually) in a 50-mph crash."
« Older According to this article... | AIDS really did come from chim... Newer »
This thread has been archived and is closed to new comments
posted by Mr. Six at 4:08 PM on May 25, 2006