Nashville, Don't Touch My Country Music
February 2, 2007 6:33 AM Subscribe
Dim Lights, Thick Smoke, and Loud, Loud Music Photgrapher Henry Horenstein's Honky-Tonk: Portraits of Country Music, 1972-1981 captures a sound in transition. This evocative collection of informal, black-and-white portraits of country musicians and fans in bars, backstage, and on the road illustrate a decade when smoky roadhouses and venerated venues began to give way to the more mainstream Countrypolitan or "Nashville" sound. Seminal artists like Mother Maybelle Carter and Bill Monroe mingled backstage with shinier newcomers like Dolly Parton and Anne Murray. But even as the commercial sound was dominating, youngsters mixing with old-timers sparked the first wave of old-time/bluegrass revival, and some of the artists who got started then still carry the torch for a non-Nashville sound today. In this online exhibit you can watch it all unfold.
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