I really needed to find an angle, because in the art world a good angle is an order of magnitude more important than actual talent. Plenty of people are talented. Not myself, of course--I'm lucky if I can get everyone smiling in the shot (BTW: anyone with good "cheese" techniques, please email me!). I'm not concerned, however, because I'm more interested in name recognition. The more stunts I pull, the more people will recognize who I am. The broader my renown, the greater the demand for my work, the larger the interest in my shows, and the fatter my wallet gets.
Thus is success born.
As an Asian adoptee daughter, I find it repelling. I can’t imagine having a photo with my adoptive father in this way. What does it say about power and patriarchy? About feminization/fetishization? Contrast the Daddy and I series with Horizon, also featuring Chinese children.
As an Asian adoptee daughter, I find it repelling. I can’t imagine having a photo with my adoptive father in this way.Did your photos draw these responses from those potential subjects because of "[their] stereotyped expectations" or "[our] prejudicial society"? No. As I've already pointed out, your photos were done in such a way as to provoke those responses from an audience like ours. (Deliberately or not -- your motives are your own.) One can't simply write off the criticism as a knee-jerk reaction from the racial disparity between father and daughter; for instance, Effigy2000's Flickr list includes many examples of photos from ordinary "modern multicultural family units" that provoke no such responses. It was not the subject matter that provoked The Creepy from us: it was your photos.
I am not one of the fathers pictured, but if I were, I would be disturbed to be in that group, even if my own picture were completely wholesome.
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posted by Poolio at 9:16 PM on August 22, 2007