You’ll have noticed that references to "regional writers" are an essential rhetorical device in these maneuvers [attacks on him over authenticity]. "Regional writers" presumably live in regions, which is to say in properly dusty parts of India, not in faraway air-conditioned regions of vilayat, abroad; "regional writers" write in regional languages, which is to say any language other than English; "regional writers" therefore presumably don’t write for a Western audience, or an international one; and "regional writers" presumably don’t make money, at least not in large hard currency amounts. "Regional writers" are therefore the opposite of Indo-Anglian writers in all ways, and are therefore virtuous and pure. Indo-Anglian writers are the opposite of "regional writers," and are therefore corrupt and impure. This moral positioning became especially noticeable and fervent in reaction to Salman Rushdie’s infamous assertion that "the prose writing ... by Indian writers working in English is proving to be a stronger and more important body of work than most of what has been produced ... in the so-called ‘vernacular languages.’"
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posted by ageispolis at 9:48 AM on October 16, 2008