I think the Jewish/Rasta overlap is so fascinating. It's basically a cultural trope doubling back on itself: Rastafarian culture appropriates Judaic imagery (Zion, Babylon, etc.) filtered through the King James Bible, and applies it to Jamaica/Ethiopia. Religious Jews then appropriate Rasta imagery (Zion, Babylon etc.) and apply it back onto Israel/Judaism.I actually tried to point this out to some students last week, coincidentally. I played them Matisyahu's "Jerusalem," which explicitly refers to Psalm 137 ("Jerusalem, if I forget you, let my right hand forget what it's supposed to do"), and then I played them the Melodians' classic reggae song "By the Rivers of Babylon," which sets the first part of the psalm to music. I think that he's referring not just to the source material, but also to the Rastafarian appropriation of the source material. It's not just that he wants young Jews to adhere to the vision of the psalm and look towards Jerusalem. It's also that he sees Rastafarianism as a model for diasporic spiritual engagement with the "promised land." My students totally didn't buy it, but I think that's where he's coming from.
I completely agree with your last paragraph, craichead, but I'm damned if I can work out exactly what kind of subject you're teaching that lets you engage students in some kind of cultural and religious exegisis of the work of the orthodox jewish dancehall artist?I'm teaching a class for high school students that's basically "if we do fun stuff and there's no homework, will you pretty-please with sugar on top not totally drop out of the Jewish community now that you've had your Bar and Bat Mitzvahs and don't need to go to Hebrew school anymore?". It's fun, but I think the whole enterprise would work better if my students weren't convinced I was a total dork.
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posted by zarq at 8:44 AM on March 31, 2009 [1 favorite]