SARA BENNETT is a criminal defense appeals attorney and was the first director of the Wrongful Convictions Project of New York City's Legal Aid Society. She is an expert in the post-conviction representation of battered women and the wrongly convicted, and lectures widely. Sara and her cases have been featured in the New York Times and on 60 Minutes II, Dateline NBC, and the Today show.This lends no credibility whatsoever to these people as education researchers
NANCY KALISH is a former senior editor at Child and Cosmopolitan, has been a columnist for both Redbook and Working Mother, and is the current "Healthy Families" columnist at Selecciones, the Spanish-language edition of Reader's Digest. She has written hundreds of articles for Parenting, Parents, Real Simple, Reader's Digest, More, Ladies Home Journal, Glamour, Self, Health, Prevention, The New York Times, and other magazines and newspapers. She is also a former adjunct professor at NYU's Graduate School of Journalism
I would definitely abolish grades. ... [I]magine two students. One can write an essay that has perfect grammar and spelling and is structurally sound, but the student takes no risks with the ideas. The second student takes lots of risks with the ideas, but the grammar spelling, and structure all need work. In the typical grading system, the first student would get an A and the second would get a C.Sure. (Because maybe it's an English class.) If you don't have a fundamental mastery of presentation—spelling, grammar, etc.—then your brilliant ideas often won't get through the door. That's life, and again, as an attorney who has presumably complied with quite a few arbitrary and archaic procedural rules in filing appellate briefs, she ought to know this. And by the way, I'd never toss off "structure" as if it were merely an aesthetic concern, and I don't know many attorneys who would.
│ │ │ │ │ │ │ │ Coment of the day Rhaomi │ │ │ Mefi │ │ │ Holy shit! Back in high school, our English teacher 4/9/09 │ │ │had us write one paper every day in response to some trite │ │ O │historical quote or question. Also, each one had to be one │ │ │page and adhere to standard essay-writing style. Finally, │ │ │I did so many of these that I was able to churn them out by │ │ │rote in the 15-minute break before class. In this comment │ │ │I will show that these essays were a crappy experience that │ │ │hampered my writing for years. │ │ │ │ │ │ First, the material was poor. Cliché truisms like │ │ │"brevity is the soul of wit" or "a foolish consistency │ │ │is the hobgoblin of little minds." Their meaning was │ │ │transparent and there was little to do with them except │ │ │prevaricate for a few paragraphs. I got very good at this. │ │ │ │ │ O │ Second, the style was annoyingly rigid. Five paragraphs, │ │ │four sentences each, introduction, thesis statement, supporting │ │ │statements, and conclusion. And an "attention-grabbing start." │ │ │It became more about thinking of ways to waste sentences rather │ │ │than say anything meaningful. │ │ │ │ │ │ Finally, the pace was oppressive. We had to write so │ │ │many, so often, that we eventually did so without thought. │ │ │Ten minutes in the hallway and I could churn out another │ │ │essay on any topic, even in cursive! It was mechanical, │ │ │joyless, uninteresting. │ │ │ │ │ O │ In conclusion, such assignments are a terrible bore │ │ │that didn't accomplish much. My writing took several semesters │ │ │to develop into something worthwhile. And I still can't look │ │ │at a copy of Bartlett's Familiar Quotations without getting │ │ │a cold shiver down my spine. And that is why busy-work is bad. │ │ │ │Oh yeah. I still got it.
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posted by pwally at 7:56 AM on April 9 [3 favorites]