Simon Schubert designed rooms of paper, to living rooms across from wrapping. Complete with a derangierten, in its shape only hint of real people and some lamps is everything in these rooms from pleated paper: the jacket on a bracket on the wall, a bed, a picture.I liked it. It reminded me of how I felt the first time I heard some of those ethereal 4AD bands when I was a kid.
In a subtle shift in the real Schubert questioned levels of transience, disappearance and vulnerability and translates them into a physical reality. Furthermore, he negotiated the idea of a crisis in the consciousness of modernity become brittle consistency of identity and world.
It went around a portrait of Samuel Beckett showed the Schubert, also on paper as an image carrier, characterized by intricate convolutions. In the folding takes place some form of physical registration, the image-makers at the same time threatened and shapes.
In barely noticeable interplay of positive and negative convolution arises, depending on the viewing direction, a sculptural portrait, but the next moment again invisible to the interview. This portrait, shimmering between two-and three-dimensionality, drawing and relief object image and is characterized mainly by the reduction of design elements. Again and again, it seems to tilt into nothingness, it displays the variable in the change of light or the viewer position.
Magdalena Kröner
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posted by gman at 4:46 PM on May 12, 2009