Michelangelo Antonioni's leftist politics made the film controversial from the start. The production was harassed by groups opposed to the movie's alleged "anti-Americanism." FBI agents tailed cast and crew members. Filming locations were besieged by right-wingers protesting an alleged scene of flag desecration, which never happened. Militant anti-establishment students worried they were being "sold out". The sheriff of Oakland, California, accused Michelangelo Antonioni of provoking the riots he had come to film. Death Valley park rangers initially refused to allow Michelangelo Antonioni to shoot at Zabriskie Point because they thought he planned to stage an orgy at the site; it was conceptualized, but never seriously considered. The U.S. Attorney's office in Sacramento opened grand jury investigations into both the film's alleged "anti-Americanism" and possible violations of the Mann Act, a 1910 law prohibiting the transportation of women across state lines "for immoral conduct, prostitution or debauchery," during the Death Valley filming. The investigation was dropped, reluctantly, when they learned that Zabriskie Point was at least 13 miles west of the California-Nevada border.Hippies on the left of him, establishment on the right, there he was.
By the time the movie arrived in theaters in 1970, critics and hip moviegoers were growing weary of anti-establishment screeds on the silver screen, so Antonioni got hammered for his already-dated take on hippie revolutionaries, as well as for his insistence on using a cast of inert, mumbly non-professionals. Then in the ensuing decades, Zabriskie Point’s critical standing improved, as directors like Gus Van Sant and Bruno Dumont paid homage...cheers!
But not enough attention was paid in 1970 to the movie’s innovative soundtrack, which mixes folk-rock, electronic drone, and near-complete silence into an aural representation of what Antonioni is trying to say about the natural and the synthetic. And maybe Antonioni intended the moviegoers of the time to roll their eyes at Frechette and Halprin’s “We’re just misunderstood, beautiful people” chatter...
Perhaps all the gorgeously shot explosions and the talk of armed insurrection in Zabriskie Point were never meant to be admired. Maybe those scenes—like the film’s centerpiece “orgy in the dust” sequence—were only ever meant to show that even the most idealistic Americans were as crude in their philosophy and behavior as the culture that spawned them.
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posted by Neofelis at 11:39 AM on June 25, 2009 [1 favorite]