Few film scores have survived intact from this period, and musicologists are still confronted by questions in attempting a precise reconstruction of those which remain. Scores can be distinguished as complete reconstructions of composed scores, newly composed for the occasion, assembled from already existing music libraries, or even improvised. Interest in the scoring of silent films fell somewhat out of fashion during the 1960s and 1970s. There was a belief current in many college film programs and repertory cinemas that audiences should experience silent film as a pure visual medium, undistracted by music. This belief may have been encouraged by the poor quality of the music tracks found on many silent film reprints of the time. More recently, there has been a revival of interest in presenting silent films with quality musical scores, either reworkings of period scores or cue sheets, or composition of appropriate original scores.
« Older “Josephine had practically every desirable persona... | Watch Bruce McDonald's Twitch ... Newer »
This thread has been archived and is closed to new comments
Buy a Shirt