Perhaps following the example of Metrodorus of Scepsis, vaguely described in Quintilian's Institutio oratoria, Giordano Bruno, a defrocked Dominican, used a variation of the art in which the trained memory was based in some fashion upon the zodiac. Apparently, his elaborate method was also based in part on the combinatoric concentric circles of Ramon Llull, in part upon schematic diagrams in keeping with medieval Ars Notoria traditions, in part upon groups of words and images associated with late antique Hermeticism,[13] and in part upon the classical architectural mnemonic. According to one influential interpretation, his memory system was intended to fill the mind of the practitioner with images representing all knowledge of the world, and was to be used, in a magical sense, as an avenue to reach the intelligible world beyond appearances, and thus enable one to powerfully influence events in the real world.[14] Such enthusiastic claims for the encyclopedic reach of the art of memory are a feature of the early Renaissance,[15] but the art also gave rise to better-known developments in logic and scientific method during the sixteenth and seventeenth centuries.[16]So the idea is that by being sufficiently systematic, and by remembering enough stuff, un-suspected knowledge could simply emerge. I remember finding that idea absolutely fascinating when I first encountered it in Little, Big many moons ago.
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posted by bhnyc at 10:19 AM on November 3, 2009