What was interesting to [experimental musicians] was merely the diagram of the piece, the music merely existed as an indicator of a type of process. I can see the point of it in one way, that you just want to show the skeleton, you don't want a lot of fluff around it, you just want to show how you did what you did. As a listener who grew up listening to pop music I am interested in results. Pop is totally results-oriented and there is a very strong feedback loop. Did it work? No. We'll do it differently then. Did it sell? No. We'll do it differently then.
Do you know what I hate about computers? The problem with computers is that there is not enough Africa in them. This is why I can't use them for very long. Do you know what a nerd is? A nerd is a human being without enough Africa in him or her. I know this sounds sort of inversely racist to say, but I think the African connection is so important. You know why music was the center of our lives for such a long time? Because it was a way of allowing Africa in. In 50 years, it might not be Africa; it might be Brazil. But I want so desperately for that sensibility to flood into these other areas, like computers.
I'm still scratching my head, kinda. Because he's singing things he doesn't believe, and he's doing it on a regular basis....????
« Older Competition Competition 2010, at Architizer is an ... | "In 1969, Sheldon Feldner cont... Newer »
This thread has been archived and is closed to new comments
Buy a Shirt