In fact, when we started Pen & Pixel, many of the artists wanted a great deal of violence for their covers. And I must said that, I believe that my company worked very very diligently to make sure that we turned violence into bling-bling. Instead of chilling people and showing bullets hitting people and blasting people out of the way, we were like "Hey man! How about we put you next to a Bentley or a Ferrari, we put some hoes on the side, show you with a 50 000 $ rollie, a big-ass necklace, your big house in the back, how about all that?" They were like "Yeah yeah yeah, OK then, un-ungh, that were it go, yeah!". I'm like "Allright, fine. Beautiful."It's like an oral history of Southern hip-hop if everyone involved in it had been earnest Scandinavian immigrants.
No, we actually grew up overseas. We lived in south-east Asia and Brazil most of our lives. I got in Houston in 1991 and left in 2003. My brother was there from 1989 all the way until, well, he just left recently.Now I feel like a jerk. But "Yeah yeah yeah, OK then, un-ungh, that were it go, yeah!" is still hilarious.
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They certainly knew their market. Fascinating to see all these covers -- thanks!
posted by cavalier at 11:34 AM on September 17, 2010 [1 favorite]