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"Women hold up half the sky"--Chinese proverb

Pickering and the Female Computers. In 1881, Edward Pickering, the director of the Harvard College Observatory, became so impatient with a male lab assistant’s work that he famously declared his maid could do a better job. Rather than take offense, his 24-year-old maid, Williamina Fleming, instead took him up on the offer. She ended up working at the Observatory for the next 30 years, supervising the tedious work of cataloging photographic plates, but also discovering variable stars and novae, helping to develop a classification system—and, perhaps even more importantly, hiring nearly 40 female assistants, many of whom went on to have distinguished scientific careers.
posted to MetaFilter by mothershock at 9:58 AM on September 20, 2008 (27 comments)

Can you hear the people sing?

Les Misbarack. (Slyt? Yes. Awesome? Yes.)
posted to MetaFilter by mothershock at 2:14 PM on September 12, 2008 (40 comments)

How Opal Mehta got caught

Kaavya Viswanathan is a 19-year-old Harvard student whose first novel, How Opal Mehta Got Kissed, Got Wild, and Got a Life, just cracked the New York Times bestseller list. The problem? The Harvard Crimson and SF Gate assert that the author plagiarized much of it from two books by Megan McCafferty. Of course, it's not like this kind of thing hasn't happened before with young writers.
posted to MetaFilter by mothershock at 6:59 AM on April 24, 2006 (222 comments)

Blobbiemorph into an excavator

Blobbiemorph
posted to MetaFilter by mothershock at 5:07 AM on April 17, 2006 (14 comments)

Now the sun will rise as brightly / as if no misfortune had occurred in the night. / The misfortune has fallen on me alone. / The sun - it shines for everyone.

Kindertotenlieder. In 1833-34, Frederich Rückert wrote 425 poems after two of his children died within 16 days of each other; seven decades later, Mahler set five of them to music. Kindertotenlieder, or Songs on the Death of Children, has been recorded by both male and female singers, in both orchestral and piano-vocal arrangements. The song cycle is a powerful meditation on grief and loss, which is somewhat surprising since we think of the 18th, 19th, and even early 20th centuries as being a time when people -- especially young children -- lived closer to death and had a different relationship with grief than we do today. Mahler, who was one of 14 children, eight of whom died in infancy and one of whom died at 12, had much personal experience to bring to the Kindertotenlieder; indeed, just three years after the song cycle's completion, his own daughter died of scarlet fever. But some musicians dismiss the idea that the music is premonitory, or indicative of Mahler's personal tragedy, and posit instead that Mahler's intent was not to showcase his own grief but capture the intensity of Rückert's first-person text. Modern works on the topic of Kindertoten range from mixed media and text to dance to film, and even to modern stage works. And there is, of course, music -- the most famous contemporary work in this tradition might just be the Grammy-award winning song inspired by real-life tragedy, Eric Clapton's Tears in Heaven.
posted to MetaFilter by mothershock at 10:49 AM on April 3, 2006 (23 comments)