Displaying comments 1 to 41 of 41
Hallelujah für Stimme und Streichquartett
No, I'm singing "faith", but I lingered too much on the sibilance of the "f" so it sounds like "haith".
posted to MeFi Music by NemesisVex
at 7:05 AM on June 14, 2009
I used the solo strings of the Reason Orkester library, and they are my drugs of choice. I find them move convincing than some of the dedicated string instrument Refills I bought from Garritan and Sonic State. There's just one serious oversight -- no viola. So I use the Garritan Personal Orchestra Refill for that, and it really sticks out.... [more]
posted to MeFi Music by NemesisVex
at 3:11 PM on June 14, 2009
Lorem Ipsum
The first few measures of this made me think if I write the name of a person whose face I can visualize in the Death Note, that person will die in 40 seconds. If I don't specify the cause of death, the person will die of a heart attack.
In other words, excellent work.
posted to MeFi Music by NemesisVex
at 1:00 PM on April 30, 2009
enigmatics III
Well, hell, now I want to hear it in 8-bit too. (Guess I better learn how ...)
posted to MeFi Music by NemesisVex
at 7:41 AM on April 19, 2009
Daychee, Daychee
I'll give this a shot, but I make no guarantees.
Deiji Deiji
Haitte yutte yo
Boku no kokoro wa
Kimi no yume miru
Sasayaka dakeredo
Yutare de noru (?)
Jintensha ozora
Soyokaze to asobou
I can't really translate, but I can give a gist line by line:
Deiji Deiji -- Daisy, daisy, transliterated into Japanese
Haitte yutte yo --... [more]
posted to MeFi Music by NemesisVex
at 3:02 PM on March 16, 2009
Recording, Mixing, Mastering Reference Books
I have Owinski's "Mixing Engineer's Handbook", and I like it a lot. I also bought "Mastering Audio" by Bob Katz this past Christmas, but I haven't quite made my way through it. Owinski also has an "Audio Mastering Handbook", but I saw a lot of the same content from the "Mixing Engineer's Handbook" in it as well.
posted to MeFi Music by NemesisVex
at 8:04 AM on February 26, 2009
Your Gaze
You know ... I don't have any Joe Jackson in my collection, and I really ought to have some Joe Jackson in my collection.
posted to MeFi Music by NemesisVex
at 6:53 AM on October 10, 2008
No Exit
Thanks for all the feedback, everyone!
I changed the hi-hat and shifted one of the beats in the kick drum, and that made a world of difference. I also finally invested in some fairly decent compression and EQ plugins, which hopefully addresses issues with trying to get my vocals to sit well in the mix.
One issue I noticed that wasn't mentioned was the muted guitar pulse buried in the background. It was masking the bass rhythm, so I made those two... [more]
posted to MeFi Music by NemesisVex
at 12:23 PM on August 26, 2008
Evolution of a musician
My parents wanted to join the choir and take piano lessons when I was young, but I didn't really get on board till I played with a tiny Casio keyboard. I wanted to play Tears for Fears and Duran Duran. That was their way to get me to take piano lessons, and that was my way to start playing rock music.
I was lucky enough to have a piano teacher during high school who was very, very liberal with our lessons. When I told her I wanted to experiment with... [more]
posted to MeFi Music by NemesisVex
at 12:12 PM on August 21, 2008
Habañera
Oh my ... the last time I saw Carmen was in the early '90s. Now I'm kicking myself for having missed the Austin Lyric Opera production earlier this year.
posted to MeFi Music by NemesisVex
at 6:30 PM on August 20, 2008
コトノハ (Kotonoha/Literary Words)
The highest note of the song reaches the very top of my comfortable range, and I usually choose to lock in my high notes. The low B-flat is just skirts outside my comfortable low range.
posted to MeFi Music by NemesisVex
at 12:39 AM on August 12, 2008
Restraint
Yeah, I'm still trying to get a handle on how to put vocals in a mix. It's the only live component in my recordings -- everything else is synthesizer.
The drums sound canned because they are, and the guitar drones in the background are a pair of "distorted guitar pad" patches in Reason's NN-XT sampler. I do dig the sound of an ebow, though.
I'm fine with getting all the instruments mixed, but then throw in vocals, and I keep second-guessing myself.
posted to MeFi Music by NemesisVex
at 8:20 AM on August 9, 2008
D's Minor
There's a chord toward the middle -- sounds like a diminished chord -- that really makes this piece for me. It felt like the key was about to dissolve at that point, and I liked that ambiguity.
posted to MeFi Music by NemesisVex
at 9:41 AM on August 8, 2008
Silver Sting
Any critique of my voice will most likely be spot-on because I tend to write beyond my already limited singing abilities. Most of that vocal track was from the first take, so there's definitely room for improvement. I do like the idea of harmonies. I hadn't thought of it.
Tears for Fears meets XTC? I'd have love to hear that in real life!
posted to MeFi Music by NemesisVex
at 5:13 PM on August 6, 2008
audacity help?
I think this is less a software question than a hardware question.
In order to be able to record and playback at the same time, you need a full-duplex sound card. Most sound cards that come with a computer are half-duplex. If you have the manual of your sound card handy, check the specifications to see if it's half-duplex or full-duplex. But judging from what you describe, you more than likely have a half-duplex sound card.
posted to MeFi Music by NemesisVex
at 11:40 AM on August 4, 2008
Don't Ask, Don't Tell
Oddly enough, flapjax at midnite says my Japanese is pretty decent.
I should also probably come out of the closet further and say the guitar parts were all provided by Reason with somewhat meticulous programming in Cakewalk SONAR. A guitar solo would work really well toward the end, actually. I would just need to program it.
I know enough guitar to strum the chords I want to hear, but I'm not enough of a player to record an actual guitar track.... [more]
posted to MeFi Music by NemesisVex
at 12:00 PM on August 1, 2008
Dirty Little Secret
At some point, I'm going to clean up the vocals I did on a set of songs I wrote inspired by the jazz-pop stylings of Sade, Basia, Swing Out Sister and Hiroshima. And will post some here to Metafilter Music.
There. I said it.
posted to MeFi Music by NemesisVex
at 2:18 PM on July 31, 2008
The gear thread
I have pictures!
I use Cakewalk SONAR, upgraded from an ancient copy of Cakewalk Pro Audio 9 bought a long time ago. I plug my three hardware synthesizers (Korg N364, Kurzweil PC-88, Kawai K4) into a Yamaha 10-track mixer, then the mixer to an M-Audio Delta 44 external sound card.
For software synthesizers, I use mostly Reason but recently I'm incorporating more Ableton Live. I'm not a good enough guitar player to record guitar parts -- I'm... [more]
posted to MeFi Music by NemesisVex
at 1:02 PM on July 3, 2008
光速 (Kousoku/The Speed of Light)
Cool! A cover! I should probably post the lyrics then:
When the melody precedes the words
What do you sing?
What do you sing?
When the words precede the storybook
What do you read?
What do you read?
When the storybook precedes events
What do you do?
What do you do?
And when all events precede a thought
What do you... [more]
posted to MeFi Music by NemesisVex
at 9:09 AM on June 20, 2008
Terry Riley: In C
I programmed all 53 motifs of the score into Session View. I used Reason's solo string samples to create a string quartet (violins, viola, cello). I then performed the entire piece in Session View by arming each clip individually. After I got through the entire piece, I went back and fixed any clips that were truncated or mistimed.
"In C" is intended to be performed, preferably by 35 musicians according to notes in the score. I did it solo, more to see if it... [more]
posted to MeFi Music by NemesisVex
at 4:20 PM on July 18, 2007
Just a quick note to say I redesigned my web site, and the full version of "In C" is no longer available. Sorry.
posted to MeFi Music by NemesisVex
at 12:22 PM on May 5, 2008
Untold Demons
Green Day? Interesting -- never crossed my mind. I really did play up the Heart angle when I reworked it. You can practically sing "What About Love" and "Alone" to the chorus of this song.
posted to MeFi Music by NemesisVex
at 8:00 PM on March 4, 2008
Can't say I'm familiar with Green Day save for the big radio hits from 1994, so the comparison actually intrigues me.
Oh, the original is just awful. I salvaged the chords of the verse and a portion of the chorus, but the bridges, lyrics and melody are new. I wonder if I can get away with calling it "reworked". But it's an interesting exercise to get through that impulse to cringe. It really was more difficult than I expected.
posted to MeFi Music by NemesisVex
at 9:15 PM on March 5, 2008
Hear the Wind Sing
Zorn's lawyers are gonna be on this like white on rice.
Yeah, I was too lazy to set up my own amp and record myself jiggling the jack back and forth to make my own cackling sound.
posted to MeFi Music by NemesisVex
at 8:38 AM on November 4, 2007
波動 (Hadou/Undulation)
Damn! I'm totally loving UA's new album, and "Panacea" is a terrific track. I'm jealous! (Did you meet her?)
posted to MeFi Music by NemesisVex
at 6:17 AM on July 23, 2007
Palomino
As much of a Duran Duran fanboy I am, I really don't like "Palomino", even though many of my Duranie friends love it. So for an assignment in my composition class back in college, I took the lyrics of the song and wrote a choir piece out of it. I even quoted another Duran Duran song, "Winter Marches On" (which I do like.)
I was inspired by an assignment Oscar Hammerstein gave to a young Stephen Sondheim, telling him to write a musical about a topic... [more]
posted to MeFi Music by NemesisVex
at 7:44 PM on May 11, 2007
A Simple Song
... it sounds like MIDI with a fixed velocity for each note.
Actually, it is. I have yet to record this piece live. I actually wrote most of it in the sequencer, so I still have to figure out the fingering of my own piece! This recording is the playback from the sequencer.
I should have probably described it as a challenging piece for a beginning player -- I thought making something completely arranged out of the melody. But... [more]
posted to MeFi Music by NemesisVex
at 10:42 PM on August 22, 2006
Imprint
I did make a gamble with this song. I experimented with changing the key of the entire song, but I didn't like the way that first diminished chord sounded in other keys -- something about it felt right in that particular key. But the original meldoy (instrumental version here) ended up too low for my range. So I shift the starting point of the melody and adjusted a few notes to accomodate.
That top note is actually clashing with the bass -- Eb in the bass, E in the... [more]
posted to MeFi Music by NemesisVex
at 11:17 AM on August 14, 2006
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