<<Vertigo is an impossible object: a gimcrack plot studded with strange gaps that nonetheless rides a pulse of peculiar necessity, a field of association that simultaneously expands and contracts like its famous trick shot, a ghost story whose spirits linger even after having been apparently explained away, and a study of obsession that becomes an obsessive object in its own right, situated likewise on the edge of unreality. This video series avoids assigning the film any determinate shape and tries instead to enter it through a number of side doors, each indicative of a way of seeing. Part 1 (QT dl ~500mb) explored some of the ground-level weirdness of the film’s construction, offers a suggestion that the film may exist in its own unique tense, and examines two iterations of the (Chris) Marker Hypothesis*. Part 2 (QT dl ~1.5gB) is spooky, reading the film through a phantom appendage then laying down a sort of Vertigo tarot before moving onto slightly more solid ground with a new consideration of Hitchcock’s concept of the MacGuffin. Part 3 (QT dl ~1.9gB) takes the zoom-in-track-out as an emblem, reconsiders the issue of point of view, then throws all the pieces back up in the air. That’s a thematic rundown, from the position of the narrator. The images have their own agendas, which often coincide but sometimes don’t.>> [more inside] posted by carsonb at 7:44 PM PST - 13 comments
Thomas Merton (1915-1968) is arguably the most influential American Catholic author of the twentieth century. His autobiography,The Seven Storey Mountain, has sold over one million copies and has been translated into over fifteen languages. He wrote over sixty other books and hundreds of poems and articles on topics ranging from monastic spirituality to civil rights, nonviolence, and the nuclear arms race. posted by Trurl at 6:23 PM PST - 8 comments
What is art, really? Is it dependent on context? Do you need an art history degree to appreciate it? Was Jackson Pollock an artist or a scam artist? Are Grand Tour portraits considered art merely because of their age? These questions have been objectively unanswerable - until now. Through the power of the internet, and the experience of Hot or Not, we can measure the democratic answer to these questions. posted by Pants! at 2:42 PM PST - 93 comments
This is the story of one cut. Back in October 2010 George Osborne announced £95 billion in cuts to public services, saying he’d leave it to councils to choose what to shut down. Inevitably most of the casualties ended up being unrenowned places, unlikely to stir up much protest - drop-in centers in housing estates, inner-city park rangers, community theatres, etc. I wanted to write about just one of them, about the ripples created by a single closure. I made my selection quite randomly. I chose a place called Youthreach. I didn’t know much about them, only that they offered weekly counseling sessions to young people, aged 11–25, in Greenwich, South East London. Jon Ronson posted by fearfulsymmetry at 10:11 AM PST - 16 comments
I love rules. Not following them, of course – that’s for other people. I love writing them. And since I’m the best qualified to decide how everyone else is allowed to behave, it’s only appropriate that I be in charge of everything. So it is that I have been making clear the Rules For Games, both for developers and for players...
Feminism's Uneven Success: "Class and racial and ethnic differences among women have intensified over time. The higher earnings of college-educated mothers make it possible for them to purchase child care and help with housework (typically performed by low-wage women workers)... the number of low-skill immigrants living in a large city reduces the tradeoff between employment and fertility for women college graduates. Outsourcing of care responsibilities can have many positive effects, but it reduces the potential for cross-class gender coalitions. Emphasis on changes in women’s average or median earnings relative to men often conceals growing inequality among women." (via) posted by flex at 6:46 AM PST - 99 comments
In 1993 in Dharamsala I met for the first time that amazing music performer, perhaps he was a Rajhastan gypsy. Usually he sat on road side from McLeod Ganch to Dhalai Lama residence. This man-orchestra created great atmosphere, sometimes he sang from eternity even didn't notice listeners. In 2004 I came to Dharamsala and people told me that he passed away. This video is dedicated to him and to people who knew him. posted by flapjax at midnite at 5:48 AM PST - 7 comments