In this way, Lu Yang became one of the "RMB gamers" she disdains. More than 10,000 RMB was quickly and nearly imperceptibly spent. In the game, the "queen" possessed fearsome power. She carried out vengeance for herself and her friends, she accepted entreaties, and she protected the caravans of the kingdom. At the same time, she went out with the heroes to invade other kingdoms. Her reputation spread far and wide. [...] "Long live the Queen!" People bowed to her in submission. That was the high point for Lu Yang on ZT Online, and for that one fleeting moment, she felt that the time and money she had spent was worth it.

...Japanese hip hop has become a significant national, cultural, and business genre since the late twentieth century, and this phenomenon has been applied and has succeeded by using almost the same ideology that was historically used by other Japanese industries like automobile manufacturing. The pioneers in the Japanese hip hop industry like Buddha Brand learned their skills in the U.S. and have successfully been influencing the contemporary Japanese music scene. As a result, the imported hip hop has become a ''Japanized'' products. Many hip hop industries in Japan have modified the American hip hop into Japanese ways, and their businesses, like the hip hop dance schools, have succeeded.