Displaying post 1 to 25 of 25
John Prine released
John Prine in 1971 with the songs
Illegal Smile,
Spanish Pipedream,
Hello In There,
Sam Stone,
Paradise,
Pretty Good,
Your Flag Decal Won't Get You Into Heaven Anymore,
Far From Me,
Angel From Montgomery,
Quiet Man,
Donald & Lydia,
Six O'clock News and
Flashback Blues.
An interview from 1971.
posted to MetaFilter by stavrogin
at 11:12 AM on June 3, 2008
(38 comments)
Take my arm, my love. Don't write a check from a joint bank account. Hide all the photographs in your home and office which would identify you as a couple. Take off your wedding rings. Touch each other, and talk to each other, in public, in ways that could only be interpreted as you being "friends." A thoughtful post on "self-editing," homophobia, and the day-to-day experience of many LGBT folks, at
Shakesville (aka Shakespeare's Sister), by
Teh Portly Dyke.
posted to MetaFilter by fiercecupcake
at 7:40 AM on May 6, 2008
(179 comments)
The Manners Manifesto
For example: "(11)
Talk to people at the check-out. You don't have to say much. God, even something inane like, "Busy in here, today, isn't it?" or "Not as busy as usual in here, today, is it?" might put us on the road to peace in the Middle East. Carrying on grumping around and spreading those grump vibes certainly isn't going to help."
posted to MetaFilter by feelinglistless
at 3:21 PM on January 7, 2008
(145 comments)
Got My Mojo Working was written by the little-known
Preston Foster and
first recorded in 1956 by the only slightly better-known
Ann Cole. It was, of course,
the Muddy Waters version that became the hit and a signature song for him: he sang it throughout his
entire career, and it has become one of the best-known blues standards of all time. The song itself just has a lot of mojo, you know, so naturally plenty of others have covered it through the years: a small sampling from the YouTubes would include
Carl Perkins,
Willie Dixon,
Elvis Presley,
Clarence Gatemouth Brown,
JJ Cale,
Pinetop Perkins and
Louis Jordan. Hell, even
Bobby Darin couldn't resist the mojo!.
NOTE: Check hoverovers for link descriptions.
posted to MetaFilter by flapjax at midnite
at 6:17 AM on January 6, 2008
(19 comments)
This AskMe post has made me lose my faith in humanity, and I desperately need to spew bile about that.
posted to MetaTalk by Meatbomb
at 7:29 AM on December 11, 2007
(454 comments)
He was called "the Telemaster", "the Humbler", and " the greatest unknown guitarist in the world".
Danny Gatton, revered by guitarists great and small, never achieved popular acclaim. His refusal to stick to any particular genre of music, and his reluctance to travel had much to do with that. But to those of us lucky enough to enjoy the Washington, DC music scene of the eighties and nineties got to see arguably the most
talented electric guitar player this country has produced.
posted to MetaFilter by Benny Andajetz
at 4:26 PM on November 27, 2007
(26 comments)
How is
favoriting every single comment (
in several
different threads) different from any other kind of crapflood? It dilutes what (arguably little) utility the favorites have for anyone else, and annoys me because I haven't had coffee yet.
posted to MetaTalk by stavrosthewonderchicken
at 5:54 PM on August 28, 2007
(251 comments)
Somewhere along the line you've probably heard Bobbie Gentry's brilliant signature tune,
Ode To Billy Joe, but unlike
previously, now you can see a sad-eyed Bobbie perform it
live, displaying the understated Southern soul delivery that, in addition to the delicious lyrics, lazy tempo and no-drums arrangement, made the tune such a milestone in US pop music history. But there was another side to Bobbie: down-home sex kitten! The gal could work a fire-engine red catsuit.
Check her out! Go Bobbie!
posted to MetaFilter by flapjax at midnite
at 10:33 PM on May 29, 2007
(22 comments)
Fifty years ago today
Elvis Presley recorded what would prove to be one of the iconic standards of the rock'n'roll canon,
Leiber and Stoller's
Jailhouse Rock. The song's sly allusions
("number 47 said to number three, you're the cutest jailbird I ever did see") to same-sex prison liaisons went unnoticed (or at least uncommented on) at the time, and it stayed a US #1 radio hit for 7 weeks straight. The unisex
production number [youtube] from the
movie of the same name has come to be recognized as one of the grandfathers of the pop/rock video. A black-leather-clad, still-svelte Presley performed the song on his
1968 [youtube] "comeback" TV special, and was singing it (slurred delivery, sequins and all) right up into
1977 [youtube], the year of his death. In 1980 John Belushi and company turned in a fine
version [youtube] as the closer to the Blues Brothers movie, and the song was a regular feature of their
live [youtube] shows as well. Happy 50th birthday,
Jailhouse Rock!
posted to MetaFilter by flapjax at midnite
at 6:47 AM on May 2, 2007
(52 comments)
Embrace the Suck.
Intensive military activity creates an incubator for slang. By bringing together people from geographically diverse backgrounds, putting them into stressful circumstances, and teaching them
a new language of jargon and acronym, the armed forces create fertile ground for new idioms - many of which return home in civvies when the conflicts are over. In the
Civil War,
World War I and
World War II, in
Korea and in
Viet Nam, servicepeople created or popularized now-familiar terms like
shoddy, hotshot, cooties, tailspin, fleabag, face time, joystick, SNAFU, FUBAR, flaky, gung ho, no sweat, flame-out, and many,
many others.
Now, the
GWOT brings us
a new generation of
'milspeak'. Military columnist
Austin Bay has published an early collection of
neologisms from Gulf War II. On NPR,
Bay explains what The Suck is, how to identify a
fobbit, and why Marines look down on the attitude of
Semper I.
posted to MetaFilter by Miko
at 1:47 PM on March 31, 2007
(66 comments)
An ode to some of the more vibrant personas and memorable events in Metafilter history -- and an homage to the classic tune by The Nails. Lyrics with tremendous amounts of annotation inside.
posted to MeFi Music by cortex
at 10:47 PM on February 14, 2007
(91 comments)
"To me, I've always looked upon the stage as a much-hallowed place, a place of worship for real artists, as I said just before. That doesn't just stem from rock n roll days; to me, Judy Garland was a real artist, Al Jolson was a real artist, people like that gave their all and everything for the stage and most of them finished up dying for it as well. In my view, nobody should be allowed to stand on a stage unless they can present the total professional thing, unless they really can sing and really can play. Punk was a total anti-attitude towards music."NWOBHM: How a now-little-known nostalgic reaction to punk called the New Wave of British Heavy Metal changed the world.
[much, much more inside]
posted to MetaFilter by koeselitz
at 3:09 PM on January 10, 2007
(40 comments)
...He expressed regret that he had said that the Beatles were more popular than Jesus and enclosed a gift for the Oral Roberts University. After quoting the line "money can't buy me love" from "Can't Buy Me Love" he said, "It's true. The point is this, I want happiness. I don't want to keep on with drugs. Paul told me once, 'You made fun of me for taking drugs, but you will regret it in the end.' Explain to me what Christianity can do for me. Is it phoney? Can He love me? I want out of hell."
John Lennon's Born-Again Phase
posted to MetaFilter by y2karl
at 10:07 AM on January 4, 2007
(79 comments)
Macon, Georgia, the 1840's. African-American Alabama Vest brings his design for a musical instrument to German clockmaker Thaddeus von Clegg. The modern
KAZOO is
born. It sees its golden age during the
Jug Band era. Later it rears its buzzy head on songs by Hendrix, Queen, Red Hot Chili Peppers and
many others. Originally
made of metal, these days they're mostly
plastic. And I, for one, agree that the humble kazoo is the ideal choice for designation as
The National Instrument.
posted to MetaFilter by flapjax at midnite
at 7:57 AM on August 16, 2006
(23 comments)
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