Careful, there's one NSFW one buried deep in there (in a National Geographic sort of way). posted by saladin at 6:40 AM on February 11, 2005
But altogether fantastic. Thanks, biffa. posted by saladin at 6:41 AM on February 11, 2005
thanks for posting this.
first impressions: I am not as impressed as I was in the last few years, but there are some masterful images here and there: Jim Nachtwey's Vermeer-meets-Salgado shot, Berman's compassionate, eerily beautiful work deserved a shoutout, Inez & Vinoodh deserved one too
buthi-contrast is tired, shattered glass is tired too. geometry mixes with sports very well but it's a cliche now -- enough already. I could do without some kids images -- it became too easy. this is heavy-handed but the Xmas-lights effect saves it a little for me. and Jim Goldberg would love this
oh, and as Robert Delpire said, Zizola is Lewis Hine's brother. and Grarup is the new Peress
some are excellent and Morris is always marvelous andthis is quietly heartbreaking
but then we're all critics, aren't we.
thanks for the post posted by matteo at 6:48 AM on February 11, 2005
This one is beautiful and terrifying. A wonderful moment. posted by mrs.pants at 6:49 AM on February 11, 2005
these are great. Did anyone else notice the pop up you get when you try to save any of these images? (Right click and you'll see) I've never seen that before. posted by dontrememberthis at 7:18 AM on February 11, 2005
I've seen the right clicking disabled thing too many freaking times. I'm not sure if they've failed to notice, but my right click menu includes a wide variety of options including the ever popular 'back'. Disabling it, especially since that's such a weak form of copy protection, is just assholish. posted by jacquilynne at 8:51 AM on February 11, 2005
There are always amazing photos here. I was astonished by Jahi Chikwendiu's sandstorm image. Thanks for the link, biffa! posted by Songdog at 9:45 AM on February 11, 2005
(I didn't understand why Morris was in there
heh.
but as I said, we're all critics, so. posted by matteo at 9:57 AM on February 11, 2005
I don't know the criteria for judging this stuff, but I think there is a huge difference between picture of a sensational event and a sensational picture. I suppose the maximum impact comes from a sensational picture OF a sensational event, but I have perhaps more appreciation for a sensational picture of an unsensational event.
Also, call me a cynic, but I have to wonder about whether some elements are staged. The blue dressed woman against the fires behind her just doesn't look "real" to me.
This age of PhotoShop (unfortunately) makes many of us cast our eyes of doubt on the "pure photographic" aspect of what we are seeing today, as well.
An impressive image is still an impressive image, but these are being presented as photojournalism, not art. posted by spock at 12:21 PM on February 11, 2005
Looking at the faces in conjunction with this book is instructive - many examples of sadness, joy and fear to be found. It also makes a change from looking at a photo and seeing only composition, contrast and allusion. posted by Ritchie at 6:02 PM on February 11, 2005
Thanks, biffa. This is good. posted by cedar at 8:12 PM on February 11, 2005
Thanks, biffa - I like the variety - good way to find leads to explore individual photographers, too. posted by madamjujujive at 7:49 AM on February 12, 2005
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posted by nthdegx at 6:26 AM on February 11, 2005