Adam Frost and Melanie Patrick of the British Film Institute take a look at film noir and what makes a film noir-ish.
A visual tour of downtown Los Angeles, now and then:
If you heard the recent NPR's Codeswitch segment on The Green Turtle, the first Asian superhero created in the United States, you heard descriptions of the 1940s comic. But there's more (so much more!) online. Start with the entire run of The Green Turtle on the amazing Digital Comic Museum, which hosts public domain Golden Age comics (late 1930s until the late 1940s or early 1950s). If you want to know more about Chu F. Hing, the artist behind the original Green Turtle, here's an extensively researched biography on the astounding Chinese American Eyes blog, which covers "famous, forgotten, well-known, and obscure visual artists of Chinese descent in the United States." [more inside]
Painters on Painting - 1972 documentary on the New York Art Scene 1940-1970, directed by Emile de Antonio. It spans American art movements from abstract expressionism to pop art via conversations with artists in their studios. Including Willem de Kooning, Jasper Johns, Andy Warhol, Robert Rauschenberg, Helen Frankenthaler, Frank Stella, Hans Hofmann, Robert Motherwell and others. (via Bibliokept) [more inside]
During the Golden Age of Hollywood and until 1967, mainstream movie studios were banned by the Production Code from depicting taboo topics like drug addiction, explicit murder and venereal disease, or even showing explicit nudity. But in the 1930's and 1940's, films marketed as "educational" could and did fly under the radar, and three of the best known 'educational' propaganda exploitation films are: Sex Madness (1935), Reefer Madness (1936) and The Cocaine Fiends (1938). [more inside]
A gallery of personalized bomber jackets from WWII with descriptions.
Leonard Michaels' "The Zipper": Rita Hayworth is never seen disrobed in the movie, though it is threatened more than once. The atmosphere of dark repression and mysterious forces – the mood or feeling of the movie – might be destroyed by the revelation of her body. It scared me as she began her striptease dance in the nightclub. I didn’t want everybody to see her body, or even to see that Rita Hayworth had a body. [more inside]
Beans are bullets. Potatoes are powder. An exhibition of food posters from the National Agricultural Library.
New York artist Ashley Hope's Ripeness is All exhibit at the Tilton Gallery recreates crime scene photographs of murdered women from the 1910s through the 1990s as oil paintings on huge 4' x 6' canvasses. [some nsfw art] [more inside]
The Pin-up Files :: Hundreds of classic and modern drawings of glamorous and beautiful women. Also includes artist bios, notes on many of the images, and a great list of links to other sites. I find it interesting to see how our idea of what is erotic or beautiful have changed (and remained the same) from the '40's to today. This site contains some material which might be considered of an adult nature. Viewer discretion is advised.
Mike Disfarmer had a photo studio in the resort town of Heber Springs, Arkansas throughout the 30s and 40s, creating images with an amazing blunt, unvarnished beauty and strength. Nothing speaks more eloquently about Disfarmer's artistry than the photographs themselves. His genius was the ability to capture without judgment, the essence of a people and a time.