The Homosexual Atom Bomb
Such absurd equations show how homosexuality became a floating signifier, associated with whatever political tendency one most disliked. Rather than representing a certain group of people, it represented everything that was wrong—whatever that meant. America’s Red Scare bled into its Lavender Scare; the Soviets associated homosexuality with capitalism and fascism. But empty as it was, the political use of the trope of homosexuality had a devastating effect on real people from both countries."Homosexuality Is Stalin's Atom Bomb to Destroy America" is on display at the Winkleman Gallery in NYC. [more inside]
Keep watching the skies - The New York Times looks back at 50s Sci Fi films in anticipation of Alien Trespass, the new film from X-Files veteran R.K. Goodwin. One or two of those classics haven't even been remade yet!
If you can make it through the glacially paced intro and can put up with the typically clunky, often laughable and jingoistic fifties-style narration, this 1958 film from Chevrolet, The American Look is worth viewing. Chock full of futuristic telephones, toasters, blenders, office machines, architecture and more, it's a mid-century design lover's dream. The film is visually striking and elegant, and presented in widescreen format. Here's part 2 and part 3. Or see it here in its entirety. [more inside]
The pictures that horrified America - how comic books tipped 50s America into a moral panic. [more inside]
Hey daddy-o, when you hear that big brash horn section pump out that oddly familiar riff, only to stop cold and make way for that that prescient single note from an electric guitar, followed straightaway by a twangy voice in perfect rockabilly delivery proclaiming "well, she's got a dress that looks like a sack!", then brother, you're listening to the hoppin' boppin' sound of Wally Deane's Drag On. Once you hear it, you'll wonder why Quentin Tarrantino never put it in a movie. Wally Deane: one of the greatest rockabilly acts you never heard of.