The Jazz Loft Project - From 1957 to 1965, celebrated photojournalist W. Eugene Smith made 4,000 hours of surreptitious recordings and took 40,000 photographs in a loft in Manhattan's wholesale flower district where Roland Kirk, Thelonius Monk, Hall Overton, Charles Mingus and other jazz greats jammed until dawn. Archived in the Center for Documentary Studies at Duke University, the project is now accessible via a book, a traveling exhibit, a
10-part Jazz Loft series on WNYC,
NPR's Jazz Loft Project Sights & Sounds, and an interview with
JLP author Sam Stephenson, which includes some images from the book. Via a
Grain Edit post, which also has some great images.
[more inside]
posted by madamjujujive
on Jan 3, 2010 -
21 comments
Hey daddy-o, when you hear that big brash horn section pump out that
oddly familiar riff, only to stop cold and make way for that that prescient single note from an electric guitar, followed straightaway by a twangy voice in
perfect rockabilly delivery proclaiming "
well, she's got a dress that looks like a sack!", then brother, you're listening to the hoppin' boppin' sound of
Wally Deane's
Drag On. Once you hear it, you'll wonder why Quentin Tarrantino never put it in a movie.
Wally Deane: one of the greatest rockabilly acts you never heard of.
posted by flapjax at midnite
on Dec 8, 2007 -
21 comments
European music copyrights from the '50s due to expire this year, and to grossly oversimplify things, RIAA is on the warpath, saying that imports from there would be acts of piracy. Considering that there's a gold mine's worth of material begging to be shown the light again (the Maria Callas material mentioned in the article, for example), no doubt there will be some great releases...but will EMI's actions be more the exception than the rule? (NYT link, yadayada)
posted by PeteyStock
on Jan 2, 2003 -
17 comments